Category Archives: Music

Celebrate Black Music Month

This month, Black Music Month, is as profound to the African America Diaspora as Black History Month. We are the inventors and creators of sounds that changed world cultures.

If we were to begin way back in the cradle of civilization centuries ago it all began with the drum. When we were captured and brought to the so-called New World we brought with us the rhythms that dictate our souls. It is a fact that African American people are responsible for the great music known as Jazz, Gospel, Blues, Soul, R&B, Rap, Hip Hop, and just about every musical sound we hear that featured and directly speak to the glorious past.

During the despicable era of slavery and segregation prior to the Civil Rights Movement the hallowing sounds of gospel music delivered an in-your-face sound that fed the souls of a people and that outlet produced some of the most timeless music ever created. Before I go further, let’s remember that it was Michael Jackson whose music video was the first black music to air on MTV.

This brings me to historic and game-changing record label – Motown and its founder Mr. Barry Gordy. Let’s be honest, can you imagine a world without The “Motown Sound”. For many who don’t know or have forgotten, prior to Motown Records rarely did you see the face of an African American on the cover of an album or black music heard on white radio. The music we enjoyed was called “race music” and it was segregated in the same way America was prior to 1959, when Motown was founded. Prior to Motown Records few black performers enjoyed anything close to crossover success. By the way, an album is what was used to play music before CD’s.

Motown was the first record label owned by an African American to primarily feature African-American artists and its soul-based subsidiaries were the most successful proponents of what came to be known as The Motown Sound, which was a style of soul music with a distinct influence. From its Hitsville U.S.A building on 2648 West Grand Boulevard, Detroit, Michigan that served as Motown’s headquarters produced the most universally recognized stable of songwriters and performers of our time or anytime.

The music produced by Motown made a nation of people living in this nation without a nationality proud with its awe-inspiring run of hits that spoke to the essence of our souls. Form a tiny little basement studio we were introduced to Michael Jackson, the Supremes, Diana Ross, Smokey Robinson, the Miracles, Mary Wells, Marvin Gaye, the Temptations, Four Tops, the Commodores, Lionel Richie, Stevie Wonder, Jr. Walker and the All Stars, David Ruffin, Eddie Kendricks, Gladys Knight and the Pips, Rick James, Nick Ashford and Valerie Simpson, Teena Marie, DeBarge, the Jackson Five, Martha and the Vandellas, the Marvelettes and Motown’s Funk Brothers studio band; just to name a few of the artists that graced our souls and touched our hearts making us proud.

Many of Motown’s best-known hits were written by Smokey Robinson, Barrett Strong, Norman Whitfield and the songwriting trio of Holland-Dozier-Holland who became major forces in the music industry. For example, it’s a known fact in the music industry that in order to get a number one hit song someone would have to write more than thirty songs. Holland-Dozier-Holland had a string of more than fifty hits in a row with some becoming number one with several different artists like the hit “I heard it through the Grapevine”. This is profound and will never happen again. No songwriter will ever achieve this feat – guaranteed.

Although Mr. Gordy sold Motown and it’s now in the hands of others its legacy resides in a very special place in my heart. I’m sure with you and millions around the world as well. So again I say, thank you Motown for the music, the love, the magic, and the many great memories.

Lastly, to the legends who are no longer able to perform for us today – thank you for your contribution – Rest in Peace. My guess is that they are walking around heaven all day singing with gleeful harmony the same way as it touched our souls when they were with us in this earthly realm. It must make haven more glorious and wonderful than I could ever imagine. And that’s my Thought Provoking Perspective…

JUST A SEASON


The Great Mr. Ruffin

B6Abw9_CQAABg5qI’ve been blessed to have lived during a time when the music of our culture reached center-stage and changed the world. Of all of the great voices, I’ve heard during my time, I can say none has been more distinctive and profound than that of David Ruffin. I’ll gladly say, I feel blessed to have had my life enhanced by his music.

As we are about to celebrate Black History Month, I want to pay homage to this man whose music was a huge influence on my life, particularly my young life, to which I am grateful. In an interview after Temptation movie, something his son said struck me as profound. He said, “My daddy wanted love, but he got fame.” We know from the many talented artists to leave us of late that there is a line between triumph and tragedy. That line is often thin and frequently ends sadly. David Ruffin walked that line with tragic consequences.

Ruffin will always be remembered as the mightiest of all the Temptations’ lead singers. He was one of “the voices” that made the Temptations, and his legacy will live on in the depths of our souls as long as there is time. We will remember that sexy, gritty voice, those trademark glasses, and that stage charisma that sums up the one and only David Ruffin, and even that little crack in his voice was ok, well it wasn’t ok, but that was David Ruffin. To put his legacy into context; he achieved legendary status after only being with the Temptations for about four years.

His songs were like windows into his soul, exposing his greatest fears as a lover and a man. Even “happy” songs like “My Girl” brought out vulnerability in his voice. His relationship with the Temptations was a stormy one, but the marriage produced defining moments in 1960s soul, and his voice inspired just about every male vocalist – his influence is everlasting. We’ll never know how good he might have been, but we can rejoice in what he left behind.

Born Davis Eli Ruffin, on January 18, 1941, in Whynot, Mississippi. A sickly child inflicted with both rheumatic fever and asthma. His mother died in childbirth, and he was raised by his father, a Baptist Minister. He was a complex man and master vocalist with a gospel-trained voice that would gain him the affection of several generations of listeners, but Ruffin had more than a voice – he had a persona.

In the best of his music, there was a dark, terrible, tragic, and personal beauty. A good example would be in his self-penned composition “Statue of a Fool,” written when he was just 18 years old, in which he sees himself as a “man who lets love slip through his hands.”

My favorite line in that tune was “On his face, a gold tear should be placed to honor every tear he shed. And I think it would show, and everyone would know, concealed inside is a broken heart.” This was a powerful statement that spoke to the depth of his soul. However, as history would record he would share his most private pain in the Temptations’ biggest hits; “Ain’t Too Proud To Beg” and “Since I Lost My Baby”, and the chilling “I Wish It Would Rain.

All of these songs were rooted in gospel where David began, singing in The Ruffin Family and The Spiritual Trying Four with his father, his sister Rita Mae and older brothers Jimmy and Quincy. David left home at 13 following his father’s footsteps to practice the ministry but was sidetracked, singing in Memphis talent shows where he met a young Elvis Presley. He later sang with the gospel group; The Dixie Nightingales out of Memphis, Tennessee, and toured with The Womack Brothers, The Swan Silvertones, and The Staple Singers.

It was with these gospel groups that Ruffin would develop his stage personality, dropping to his knees and doing splits just like the late Jackie Wilson before him. David’s show-stopping performances within the group would be enough to get him noticed on the secular side.

Then, in 1964, when problems arose between the Temptations and group member Elbridge Bryant, David would be invited to join the group. Shortly after David’s arrival, the group would record “The Way You Do The Things You Do,” a Smokey Robinson number with Eddie Kendricks on lead. Gone for a three-week gig in Saginaw, Michigan, the group would return home to find themselves with their first hit. It is said, when David saw the chart standings, he sat down on the long chaise lounge in the Motown lobby, took off his glasses, and cried like a baby.

Ruffin would turn out be an electrifying and dynamic force and set a course for stardom with their first universal #1 hit, “My Girl,” recorded just before Christmas in 1964, a tune that would turn the group into a household word and legends. The group began turning out one hit after another, and when David took such up-tempo hits as “(I know), I’m Losing You,” to the stage, he became a magnetic field of charisma. His greatness would then shine, and his permanent mark on the pages of history was sealed.

At his home-going service, Stevie Wonder told the audience: “We’re confronted with a problem that touches everyone of us. We’re confronted with the most devastating slave owner of all times.” Minister Louis Farrakhan, head of the Nation of Islam, who spoke at his funeral told the mournful audience, “In David there is a lesson. We should not clap our hands and mourn, for he is out of trouble now. You are still in it.” It is not my intent to rewrite history or to re-tell a story that we all know. Rather to simply to remind us that he is gone – but not forgotten. And that’s my Thought Provoking Perspective…

Rest In Peace

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“Just a Season”

Happy Birthday Luther Vandross

2It is with great pride and pleasure I take in resurrecting the ghost of the greats that enriched my life, and dare I say made the world a better place.  I’ve highlighted and spotlighted many enormous champions of the African American experience, along with many who, regardless of their station, changed the world and made tremendous contributions. This was to also include the monumental musical giants of our time. In fact, I would be remissed if I did not acknowledge the spirits of those artists and entertainers whose presence will live within us for eternity.

I am rarely at a loss for words, but the voice of Luther Ronzoni Vandross was so passionate and powerful that I have no words; other than to say the day Luther Vandross transitioned to the great beyond was a mighty loss. We will never hear a voice of such quality, sweetness, or grace every again. So on this day I want to put you in a mellow mood with these attached videos of the legacy Luther left for use to enjoy. Rest In Peace. And that’s my thought provoking perspective…


Remebering: Donny Hathaway

1xI am one who believes anyone can be taught how to do anything, but few are naturally given the rare gift of a unique and special talent like the great Donny Hathaway. This great musician man was one of a kind, in fact, Donny Edward Hathaway was the best natural jazz, blues, soul, R&B, and gospel vocalist and musician the world has known. Also, his collaborations with Roberta Flack are legendary as the scored high on the charts. The huge hit “where is the Love” won him a Grammy Award.

At the height of his career, Hathaway was diagnosed with a mental disorder and was known not to take his prescribed medication regularly enough to properly control his symptoms. On January 13, 1979, Hathaway’s body was found outside the luxury hotel Essex House in New York City that was ruled a suicide.

Donny Hathaway worked as songwriter, session musician and producer. Working first at Chicago’s Twinight Records, he later did the arrangements for hits by The Unifics on the song “Court of Love” and “The Beginning Of My End”. He also took part in projects by The Staple Singers, Jerry Butler, Aretha Franklin, The Impressions and Curtis Mayfield. He became a “house producer” for Mayfield’s label, Curtom Records recording there as a member of The Mayfield Singers. Donny recorded his first single under his own name in 1969 on a duet with singer June Conquest called “I Thank You Baby”.

It was not until he signed with Atco Records after being spotted for the label by producer/musician King Curtis at a trade convention that his prominence became evident. He released his first groundbreaking single The Ghetto, Pt. 1″, which he co-wrote with former Howard roommate Leroy Hutson, who became a performer, writer, and producer with Curtom. The track appeared the following year on his critically acclaimed debut LP, “Everything is Everything”, which he co-produced with Ric Powell while also arranging all the cuts.

Donny’s star really shined when he released his second LP titled “Donny Hathaway” that consisted mostly of covers of contemporary pop, soul, and gospel songs. His third album “Roberta Flack & Donny Hathaway was an album of duets with former Howard University classmate and label mate Roberta Flack that established him, especially on the pop charts. The album was both a critical and commercial success that included the Ralph MacDonald track “Where is the Love”, which proved to be not only an R&B success but also scored Top Five on the pop Hot 100.

In my view, his most influential recording is his 1972 album – “Live”, which has been termed “one of the best live albums ever recorded” by Daryl Easlea of the BBC. However, the song that cemented Donny’s legacy was “This Christmas”. To this very day, it does not seem like Christmas until you hear this song. The song, released in 1970, has become a holiday staple and is often used in movies, television, and advertising. “This Christmas” has been covered by numerous artists across diverse musical genres, including The Whispers, Dianna Ross, , Aretha Franklin, The Temptations, The Four Tops, Stevie Wonder, Christina Aguilera, Chicago, Harry Connick, Jr., Dru Hill, NSYNC, Gloria Estefan, Boney James, The Cheetah Girls, Chris Brown, and Patti LaBelle.

On January 13, 1979, Brother Donny transitioned this life to be with the ancestors! I want to bring his name into remembrance as he continues to rest in our hearts. Therefore, I would be remissed if I did not pay homage to the musical mastery of Mr. Donny Hathaway for his spirit lives in the souls of all of us because his music uplifted, empowered, and made us proud! And that’s my thought provoking perspective…


Fight The Power!

PhotoFunia-2c3d3a4In the 1960s, the main mission was to obtain the freedom for black people. The symbol of solidarity was a raised clenched fist and the chant was “power to the people”. This sign of unity was also a sign of respect for one another.

It was a glorious time for Black America in the late 1960s because for a brief moment, it was awakened, they stand a stand and showed bravery as courageous black men and women demonstrate their pride for being black and began to acknowledge the greatness in their blackness.

During those days, there was an ill-fated war where the government drafted millions of black men during the Vietnam War. I can recall those fought and served were soon forgotten, but those who did were proud enough to take a stand by chanting “fight the power”! The response from the power, however, was told “America Love it or Leave it.” First, where were black people suppose to go? They took us from our place of origin, enslaved all brought here, and created a new race of people calling them Negro. So, the chant and the raised fist was a symbolic statement – “say it loud I am black, and I am proud”.

Looking back, I think what we learned was that the philosophy prescribed to us by the system and a continuous stream of unanswered questions and lies; like we see today with several wars, police brutality and blatant racism. The foundation of the civil rights movement was supported by a religious ideology full of unquestioned answers fooling people into the idea that all you need to do is just pray. While the system used the tried and true strategy of divide and conquer to kill the movement.

The movement’s protest strategy of marching in the 1950s resulted in a few crumbs after unrest and rage produce fear in the majority community – in other words among the powers that be. In those days, “they” could control information via what were virtually state-owned newspapers and the two or three television networks. The unrest of those days were rooted in racism, as is today, but today the genie is out of the bottle because of this thing called social media and video cameras in the hands of almost everyone. Think about it – it was social media that caused the Arab Spring uprising that toppled several regimes and dictators.

The American super-power was involved preaching morality and trying to impose democracy all over the world while doing unspeakable horrors at home and abroad. The government released a Senate Terror Report, which clearly appeared as if it was America that was the terrorist sponsored by the state. I will say as a person of color and a descendant of slaves, America never had any moral authority to advise or dictate anything close to a moral or human high-ground toward or for black people. Regarding what they released, black people have seen much of the same terror inflicted upon them right here at home under its apartheid-like system.

They system has not changed; NO – it’s still all about money. What I see that is different, however, is that the entire world sees and knows what is being done to black people in America and that what black America has been saying all along is true and a fact. However, the movement of this generation, Black Live Matters is speaking truth to power and is courageous enough to take a stand against racism and injustice. This movement comes with people of all stripes, colors, and creeds protesting around the world.

What we saw in the 1960s was more of a rehearsal for what some called a revolution. Brother Gil Scott-Heron called it “Winter in America” and he told us that the revolution will not be televised. There was a revolution, however, they called it the Arab Spring and it was televised! Gill appeared, at the time to be on to something. Hence, the government used tools like CONINTELPRO to cripple and killed any such notion. Now, as we can see today resulting from the atrocities of government agencies and police human-rights violations “the revolution is being televised”.

Let me add this about empires and religion, the Republicans, as did the Romans before them, cheered on the Lions, as the Christians were being fed to them in giant arenas for pure spectator enjoyment. Sort of like those lynching of black men and police killing of late. What these people are doing to black people in the streets of America in the name of “justice” is no different from what was done by the Roman state against its people. Remember how that turned out.

To those who have and are charged with killing and brutalizing people of color and the least of thee; I say to you – there’s no honorable way to kill, no gentle way to destroy. There is nothing good about racism or the war upon black and brown communities – it is simply Hypocrisy!

History tells us that those who make peaceful revolution impossible or fail to change a system when it is broken will make violent revolution inevitable. In the 1960s, they stopped using lynching and used fire hoses and dogs. Today, they use the police to shoot and kill. So I say, Fight the Power! And that’s my thought provoking perspective…

 RESPECT TO THE FALLEN

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Remembering The Ghost Of The Greats

1-I woke up this morning to the sweet sounds of soul blasting from my radio that inspired and lifted my spirits immensely. Having been awakened to a new day in such a profound way. I decided to offer my remembrance to the amazing crooners, songstress’, prolific singer-songwriters and record producers who’ve transitioned to that wonderful place all of us wish to go. Their amazing talent must make-up the most amazing heavenly choir.

We know black music has influenced every sound or beat they every made and of course, as they have in much of world history they stole what was rightfully ours. So let’s take a moment and pay homage to the innovators and creators of such amazing music. I have said many things I cannot imagine a world without Motown or that of the great black music legends!

As I began to wondering what it must be like as the ghosts of the greats walk around heaven or wherever we go in the afterlife gathering for a concert to sing that music the meant so much to us in this life. The harmony must be simply amazing. When these great artists were alive and with us; black music – soul music – was awesome. Thankfully, they left us their gifts of sound for us to forever enjoy.

I’ll just name a few choir member that are walking around heaven all day: Whitney Houston, David Ruffin, Eddie Kendricks, Ali-Ollie Woodson, Marvin Gaye, Billy Preston, James Brown, Etta James, Donny Hathaway, Isaac Hayes, Nic Ashford, Sam Cooke, Otis Redding, Tammie Terrell, Teena Marie, Levi Stubbs, Barry White, Grover Washington, Johnny Taylor, Bob Marley, Gerald Levert, Ray Charles, Maurice White, and Michael Jackson. Although it’s impossible to name them all – BUT WE MISS AND LOVE YOU!

Times were much difficult for black people because of your work. You added hope to our struggle and your souls brought out such creative music albeit from the secular world and the church – we were overjoyed. Today’s black artists do not know what it is to be innovative or create their own music, and if they do, they do not have what I know as soul, you hardly feel anything. The new generation started producing their music, often times, in such negative a way that it affects the black community in what I view as negative ways. Is it because they did not learn from the great artist that came before them or know what it means to be creative.

What I see and hear, for the most part, black music could be at the point of no return. Furthermore, the artists who are now deceased singing in that glorious choir in this place called heaven were originals who never imitated to gain fame. These days, you have a lot of imitators, and this is one of the main reasons why we have few black artists today that touch our souls.

Moreover or sadly is that the new generation of artists, for the most part, seem to have no knowledge of what soul music means spiritually or simply understand how to be original. So to the ghosts of the greats – Rest In Peace – you will be remembered for all times. And that’s my Thought Provoking Perspective…


Happy Birthday Teddy Bear

3Music is as much a part of black history as any part of our history. Therefore, today I want to salute Black History Month by paying homage to the ghost of the greats who made a huge impact on the world and the lives of us who lived it. Today, artists have one or two hits and they are called legends. I find this laughable because, frankly, there is no body of work, in most cases, to support the label or prove worthy of attention. Black artists and icons have mastered their craft and created genres that will last forever.

NO ONE did it better than the man we affectionately call “Teddy” – Theodore Pendergrass – one of the greatest R&B singer and songwriter of our time. Teddy rose to fame as lead singer of Harold Melvin and the Blue Notes in the early 1970s prior to his hugely successful solo career at the end of the decade. In a horrible twist of fate, in 1982, Teddy was severely injured in an auto accident resulting in his being paralyzed from the chest down. After his injury, he founded the Teddy Pendergrass Alliance, a foundation that helps those with spinal cord injuries.

Teddy was not unlike most R&B singers he sang often at church and dreamed of being a pastor being ordained as a minster at the age of 10. In his early career, he sang with the Edison Mastersingers and dropped out of school in the eleventh grade to pursue the music business, recording his first song “Angel With Muddy Feet.” The recording, however, was not a commercial success.

It was the result of a chance encounter with the Blue Notes’ founder, Harold Melvin, who convinced Pendergrass to play drums in the group. Then fate stepped in and during a performance Teddy began singing along, and Melvin, impressed by his vocals, made him the lead singer. Before Pendergrass joined the group, the Blue Notes had struggled to find success. That all changed when they landed a recording deal with Philadelphia International Records in 1971, thus beginning Teddy’s successful collaboration with label founders Kenny Gamble and Leon Huff. From this point there was no turning back.

I will briefly list a few of Teddy’s most memorable hits that took him high in the stratosphere starting with his self-titled album, which went platinum on the strength of the disco hit, “I Don’t Love You Anymore.” Its follow-up single, “The Whole Town’s Laughing At Me,” became a top 20 R&B hit. It was quickly followed by Life Is a Song Worth Singing. That album was even more successful with its singles including “Only You” and “Close the Door.”

2The disco single, “Get Up, Get Down, Get Funky, Get Loose” was popular in dance clubs and after that came two more successes, Teddy and the live release, Live Coast to Coast. Hits off Teddy included “Come and Go With Me” and “Turn Off The Lights.” This was followed by the album, “TP” that included his signature song, “Love TKO” and “Is It Still Good to You.” Between 1977 and 19981, Teddy landed five consecutive platinum albums, which was a then-record setting number for a rhythm and blues artist.

Teddy’s popularity became so massive at the end of 1977 with sold-out audiences packing his shows; his manager soon noticed that a huge number of his audience consisted of women of all races. They devised a plan for his next tour to play to just female audiences, starting a trend that continues today called “women’s only concerts.”

With five platinum albums and two gold albums, Teddy was on his way to be what the media was calling him, “the black Elvis” not only in terms of his crossover popularity but also due to him buying a mansion akin to Elvis’ Graceland, located just outside of his hometown of Philadelphia. By early 1982, Pendergrass was the leading R&B male artist of his day usurping competition including closest rivals Marvin Gaye and Barry White.

2Then tragedy struck on the night of March 18, 1982, in the East Falls section of Philadelphia on Lincoln Drive near Rittenhouse Street, Teddy was involved in an automobile accident. He lost control of his Rolls-Royce Silver Spirit – the car hit a guard rail, crossed into the opposite traffic lane, and hit two trees and was trapped in the wreckage for 45 minutes; leaving him a quadriplegic, paralyzed from the chest down.

He kept recording through the 1990s in spite of being wheelchair bond and give the world his final hit in 1994, which was a hip-hop leaning “Believe in Love”. His most lasting memory for the world was “Wake Up Everybody” a tune that has been covered by a diverse range of acts from Simply Red, Patti LaBelle, Babyface, Little Brother, Kanye West, Cam’ron, Twista, Tyrese Gibson, DMX, 9th Wonder, and DJ Green Lantern.

Sadly, on January 13, 2010, the man we knew as “Teddy” left us to sing with the angels. I’ll tell you, and if you knew Teddy, the world will never be the same without his uniquely profound soulful voice. And that’s my thought provoking perspective…


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