Remember: The Scottsboro Boys

White folk always talk about their love of the Constitution as if it is God’s voice of right but the case of the Scottsboro Boy clearly demonstrates the hypocrisy in their hearts with regard to black people and jurisprudence. This kind of blindness in the law has been a staple in America from the beginning of the nation. This horrible story, which is true and documented began on March 26th, 1931, nine black youths riding a freight train, were arrested in Scottsboro, Alabama, after being falsely accused of raping two white women. After nearly being lynched, the Scottsboro Boys were brought to trial.

Despite evidence that exonerated the teens, including a retraction by one of their accusers, who was a prostitute, the state pursued the case. All-white juries delivered guilty verdicts and all nine defendants, except the youngest, were sentenced to death. From 1931 to 1937, during a series of appeals and new trials, they languished in Alabama’s Kilby prison, where they were repeatedly brutalized by guards.

In 1932, the United States Supreme Court concluded in Powell v. Alabama that the Scottsboro defendants had been denied adequate counsel at trial. In 1935, the Court in Norris v. Alabama again ruled in favor of the defendants, overturning their convictions because Alabama had systematically excluded black people from jury service.

Finally, in 1937, four of the defendants were released, and five were given sentences of twenty years to life; four of those were released on parole between 1943 and 1950. The fifth escaped prison in 1948 and fled to Michigan. Clarence Norris walked out of Kilby Prison after being paroled in 1946 and moved north; he received a full pardon from Governor George Wallace in 1976.More information about the Scottsboro Boys. And that’s my thought provoking perspective…

Remembering Our Greatest Scholar: John Henry Clarke

John Henrik Clarke was one of the most brilliant, profound, and empowering educators of our time. He was born January 1, 1915 in Union Springs, Alabama and died July 16, 1998 in New York City.

His mother was a washerwoman who did laundry for $3 a week and his father was a sharecropper. As a youngster Clark caddied for Dwight Eisenhower and Omar Bradley “long before they became Generals or President,” Clarke would later recount in describing his upbringing in rural Alabama.

Ms. Harris his third grade teacher convinced him that one day I would be a writer but before he became a writer he became a voracious reader inspired by Richard Wright’s Black Boy.a vertern who enlisted in the army and earned the rank of Master Sergeant. After mustering out, Clarke moved to Harlem and committed himself to a lifelong pursuit of factual knowledge about the history of his people and creative application of that knowledge. Over the years, Clarke became both a major historian and a man of letters.

His literary accomplishments were very significant but he was best known as a historian. He wrote over two hundred short stories with “The Boy Who Painted Christ Black” is his best known. Clarke edited numerous literary and historical anthologies including American Negro Short Stories (1966), an anthology which included nineteenth century writing from writers such as Paul Laurence Dunbar and Charles Waddell Chestnut, and continued up through the early sixties with writers such as LeRoi Jones (Amiri Baraka) and William Melvin Kelley. This is one of the classic collections of Black fiction.

Reflective of his commitment to his adopted home, Clarke also edited Harlem, A Community in Transition and Harlem, U.S.A. Never one to shy away from the difficult or the controversial, Clarke edited anthologies on Malcolm X and a major collection of essays decrying William Styron’s “portrait” of Nat Turner as a conflicted individual who had a love/hate platonic and sexually-fantasized relationship with Whites. In both cases, Clarke’s work was in defense of the dignity and pride of his beloved Black community rather than an attack on Whites.

What is significant is that Clarke did the necessary and tedious organizing work to bring these volumes into existence and thereby offer an alternative outlook from the dominant mainstream views on Malcolm X and Nat Turner, both of whom were often characterized as militant hate mongers. Clarke understood the necessity for us to affirm our belief in and respect for radical leaders such as Malcolm X and Nat Turner. It is interesting to note that Clarke’s work was never simply focused on investigating history as the past, he also was proactively involved with history in the making.

As a historian Clarke also edited a book on Marcus Garvey and edited Africa, Lost and Found (with Richard Moore and Keith Baird) and African People at the Crossroads, two seminal historical works widely used in History and African American Studies disciplines on college and university campuses. Through the United Nations he published monographs on Paul Robeson and W.E.B. DuBois. As an activist-historian he produced the monograph Christopher Columbus and the African Holocaust. His most recently published book was Who Betrayed the African Revolution?

In the form of edited books, monographs, major essays and book introductions, John Henrik Clarke produced well over forty major historical and literary documents. Rarely, if ever, has one man delivered so much quality and inspiring literature. Moreover, John Henrik Clarke was also an inquisitive student who became a master teacher.

During his early years in Harlem, Clarke made the most of the rare opportunities to be mentored by many of the great 20th century Black historians and bibliophile. Clarke studied under and learned from men such as Arthur Schomburg, William Leo Hansberry, John G. Jackson, Paul Robeson, Willis Huggins and Charles Seiffert, all of whom, sometimes quietly behind the scenes and other times publicly in the national and international spotlight, were significant movers and shakers, theoreticians and shapers of Black intellectual and social life in the 20th century.

From the sixties on, John Henrik Clarke stepped up and delivered the full weight of his own intellectual brilliance and social commitment to the ongoing struggle for Black liberation and development. Clarke became a stalwart member and hard worker in (and sometimes co-founder of) organizations such as The Harlem Writers Guild, Presence Africaine, African Heritage Studies Association, the Association for the Study of Negro Life and History, the National Council of Black Studies and the Association for the Study of Classical African Civilizations.

Formally, Clarke lectured and held professorships at universities worldwide. His longer and most influential tenures were at the Africana Studies and Research Center at Cornell in Ithaca, New York, and in African and Puerto Rican Studies at Hunter College in New York City. He received honorary degrees from numerous institutions and served as consultant and advisor to African and Caribbean heads of state. In 1997 he was the subject of a major documentary directed by the noted filmmaker Saint Claire Bourne and underwritten by the Hollywood star Westley Snipes.

John Henrik Clarke is in many ways exemplary of the American ethos of the self-made man. Indicative of this characteristic is the fact that Clarke changed his given name of John Henry Clark to reflect his aspirations. In an obituary he penned for himself shortly before his death, John Henrik Clarke noted “little black Alabama boys were not fully licensed to imagine themselves as conduits of social and political change. …they called me ‘bubba’ and because I had the mind to do so, I decided to add the ‘e’ to the family name ‘Clark’ and change the spelling of ‘Henry’ to ‘Henrik,’ after the Scandinavian rebel playwright, Henrik Ibsen.

I like his spunk and the social issues he addressed in ‘A Doll’s House.’ …My daddy wanted me to be a farmer; feel the smoothness of Alabama clay and become one of the first blacks in my town to own land. But, I was worried about my history being caked with that southern clay and I subscribed to a different kind of teaching and learning in my bones and in my spirit.”

Body and soul, John Henrik Clarke was a true champion of Black People. He bequeathed us a magnificent legacy of accomplishment and inspiration borne out of the earnest commitment of one irrepressible young man to make a difference in the daily and historical lives of his people.

Viva, John Henrik Clarke!
Resource: Black College Online

Why Do We Celebrate America

What To The Slave Is The 4th Of July?

Independence Day Speech at Rochester, 1852

Frederick Douglass (A former slave himself, he became a leader in the 19th Century Abolitionist Movement) This speech courtesy of The Freeman Institute™.

Fellow citizens, pardon me, allow me to ask, why am I called upon to speak here today? What have I, or those I represent, to do with your national independence? Are the great principles of political freedom and of natural justice, embodied in that Declaration of Independence, extended to us? and am I, therefore, called upon to bring our humble offering to the national altar, and to confess the benefits and express devout gratitude for the blessings resulting from your independence to us?

Would to God, both for your sakes and ours, that an affirmative answer could be truthfully returned to these questions! Then would my task be light, and my burden easy and delightful. For who is there so cold that a nation’s sympathy could not warm him? Who so obdurate and dead to the claims of gratitude that would not thankfully acknowledge such priceless benefits? Who so stolid and selfish that would not give his voice to swell the hallelujahs of a nation’s jubilee, when the chains of servitude had been torn from his limbs? I am not that man. In a case like that the dumb might eloquently speak and the “lame man leap as an hart.”

But such is not the state of the case. I say it with a sad sense of the disparity between us. am not included within the pale of this glorious anniversary! Your high independence only reveals the immeasurable distance between us. The blessings in which you, this day, rejoice are not enjoyed in common. The rich inheritance of justice, liberty, prosperity, and independence bequeathed by your fathers is shared by you, not by me. The sunlight that brought light and healing to you has brought stripes and death to me. This Fourth of July is yours, not mine.

You may rejoice, I must mourn. To drag a man in fetters into the grand illuminated temple of liberty, and call upon him to join you in joyous anthems, were inhuman mockery and sacrilegious irony. Do you mean, citizens, to mock me by asking me to speak today? If so, there is a parallel to your conduct. And let me warn that it is dangerous to copy the example of nation whose crimes, towering up to heaven, were thrown down by the breath of the Almighty, burying that nation in irrevocable ruin! I can today take up the plaintive lament of a peeled and woe-smitten people.

“By the rivers of Babylon, there we sat down. Yea! We wept when we remembered Zion. We hanged our harps upon the willows in the midst thereof. For there, they that carried us away captive, required of us a song; and they who wasted us required of us mirth, saying, Sing us one of the songs of Zion. How can we sing the Lord’s song in a strange land? If I forget thee, O Jerusalem, let my right hand forget her cunning. If do not remember thee, let my tongue cleave to the roof of my mouth.”

Fellow citizens, above your national, tumultuous joy, I hear the mournful wail of millions! Whose chains, heavy and grievous yesterday, are, today, rendered more intolerable by the jubilee shouts that reach them. If I do forget, if I do not faithfully remember those bleeding children of sorry this day, “may my right hand cleave to the roof of my mouth”! To forget them, to pass lightly over their wrongs, and to chime in with the popular theme would be treason most scandalous and shocking, and would make me a reproach before God and the world.

My subject, then, fellow citizens, is American slavery. I shall see this day and its popular characteristics from the slave’s point of view. Standing there identified with the American bondman, making his wrongs mine. I do not hesitate to declare with all my soul that the character and conduct of this nation never looked blacker to me than on this Fourth of July! Whether we turn to the declarations of the past or to the professions of the present, the conduct of the nation seems equally hideous and revolting.

America is false to the past, false to the present, and solemnly binds herself to be false to the future. Standing with God and the crushed and bleeding slave on this occasion, I will, in the name of humanity which is outraged, in the name of liberty which is fettered, in the name of the Constitution and the Bible which are disregarded and trampled upon, dare to call in question and to denounce, with all the emphasis I can command, everything that serves to perpetuate slavery-the great sin and shame of America! “I will not equivocate, I will not excuse”; I will use the severest language I can command; and yet not one word shall escape me that any man, whose judgment is not blinded by prejudice, shall not confess to be right and just….

For the present, it is enough to affirm the equal manhood of the Negro race. Is it not as astonishing that, while we are plowing, planting, and reaping, using all kinds of mechanical tools, erecting houses, constructing bridges, building ships, working in metals of brass, iron, copper, and secretaries, having among us lawyers doctors, ministers, poets, authors, editors, orators, and teachers; and that, while we are engaged in all manner of enterprises common to other men, digging gold in California, capturing the whale in the Pacific, feeding sheep and cattle on the hillside, living, moving, acting, thinking, planning, living in families as husbands, wives, and children, and above all, confessing and worshiping the Christian’s God, and looking hopefully for life and immortality beyond the grave, we are called upon to prove that we are men!…

“What To The Slave Is The 4th Of July?” And Thanks my Thought Provoking Perspective…

Remembering Medgar Evers: The First Civil Rights Martyr

Medgar Wiley Evers was born in Decatur, Mississippi on July 2, 1925; dying the victim of a racially motivated assassination on June 12, 1963 in Jackson, Mississippi after attending a rally. He was the third of four children of a small farm owner who also worked at a nearby sawmill. His social standing was impressed upon him every day, but Evers was determined not to cave in under such pressure. He once said his mission was evident at the age eleven or twelve when a close friend of the family was lynched.

He walked twelve miles each way to earn his high school diploma and joined the Army during the Second World War. Perhaps it was during the years of fighting in both France and Germany for his and other countries’ freedom that convinced Evers to fight on his own shores for the freedom of blacks. After serving honorably in the war, he was discharged in 1946; he began working for the National Association for the Advancement of Colored People (NAACP) in 1952. Evers traveled throughout the state of Mississippi trying to encourage voter registration and worked tirelessly to enforce federally mandated integration laws.

On 12 June 1963, hours after President John F. Kennedy gave a televised speech condemning segregation, Evers was shot in the back by a high-powered rifle while returning home. He crawled to the house and collapsed in front of his wife and three children; he died an hour later. The rifle found at the scene belonged to Byron De La Beckwith, a member of the all-white Citizens’ Council, a statewide group opposed to racial integration akin to the KKK.

Beckwith was tried twice but nearly thirty years later, thanks to the persistence of Evers’ widow, Myrlie Evers-Williams, the case was reopened and Beckwith was tried and convicted in 1994, and the conviction was upheld by the state supreme court in 1997. Evers-Williams published “For Us, The Living in 1967”; Beckwith’s trial was the basis for the 1996 film Ghosts of Mississippi that starred Whoopi Goldberg.

Medgar Evers position in the civil rights movement was that of field secretary for the NAACP and recognized as one of the first martyrs of the civil rights movement. His death prompted President John Kennedy to ask Congress for a comprehensive civil rights bill, which President Lyndon Johnson signed into law the following year.

The Mississippi in which Medgar Evers lived was a place of blatant discrimination where blacks dared not even speak of civil rights; much less actively campaign for them. Evers, a thoughtful, and committed member of the NAACP wanted to change his native state. He paid for his convictions with his life, becoming the first major civil rights leader whose death was called an assassination.

Evers was featured on a nine-man hit list in the Deep South as early as 1955. He and his family endured numerous threats and other violent acts, making them well aware of the danger surrounding his activism. Still he persisted in his efforts to integrate public facilities, schools, and restaurants. He organized voter registration drives and demonstrations. He spoke eloquently about the plight of his people and pleaded with the all-white government of Mississippi for some sort of progress in race relations. To those people who opposed such things, he was thought to be a very dangerous man.

In some ways, the death of Medgar Evers was a milestone in the hard-fought integration war that rocked America in the 1950s and 1960s. While the assassination of such a prominent black figure foreshadowed the violence to come, it also spurred other civil rights leaders, also targeted by white supremacists, to new fervor. They, in turn, were able to infuse their followers with a new and expanded sense of purpose; one that replaced apprehension with anger.

Evers must have also had a sense that his life would be cut short when what had begun as threats turned increasingly to violence. A few weeks prior to his death, someone threw a firebomb at his home. Afraid that snipers were waiting for her outside, Mrs. Evers put the fire out with a garden hose. The incident did not deter Evers from his rounds of voter registration or from his strident plea for a biracial committee to address social concerns in Jackson. His days were filled with meetings, economic boycotts, marches, prayer vigils, and picket lines and with bailing out demonstrators arrested by the all-white police force. It was not uncommon for Evers to work twenty hours a day.

The NAACP posthumously awarded its 1963 Spingarn medal to Medgar Evers. It was a fitting tribute to a man who had given so much to the organization and had given his life for its cause. Perhaps the most encouraging aspect of Medgar Evers’ story lies in the attitudes of his two sons and one daughter.

Though they experienced firsthand the destructive ways of bigotry and hatred. Evers’ children appear to be very well-adjusted individuals. Myrlie Evers remarked, “it has taken time to heal the wounds [from their father’s assassination, and I’m not really sure all the wounds are healed. We still hurt, but we can talk about it now and cry about it openly with each other, and the bitterness and anger have gone.”

As a fitting tribute, Evers was interred at Arlington National Military Cemetery in Washington DC. How many of you are willing to give your life for something greater than yourself? And that’s my Thought Provoking Perspective…

http://johntwills.com

Remembering: The Great Satchel Paige

It happens every summer, America’s pastime celebrate the best in the game of baseball called the All Star Game where they supposedly present us with the best baseball player of each season. It is no secret that I am one who loves history and this game too. However, in today’s Major League baseball world I see a vastly different type of stars in the sport and frankly all sports with very few worth looking up too. Actually, I call this new breed – million dollar slaves.

In my youth, there were Murray Wills, Willie Mays, Josh Gibson, and many who played in the Negro League. The Negro League had the best baseball players of all-time and perhaps the greatest man to ever play the game of baseball – the incomparable Satchel Paige.

Satchel Paige was born around July 7, 1906, I say around because no one really knows for sure. However, we know it was in Mobile, Alabama, at a time of extreme racial unrest. Paige honed his pitching talents in reform school and made his professional baseball debut in 1926, moving up through various teams in the Negro Southern League, amassing a reputation as an ace pitcher. He made his major league debut with the Cleveland Indians in July 1948, at the age of 42, and he continued playing for another 20 years.

A run-in with the law, a petty theft and truancy, got Satchel “enrolled” in reform school at age 12. But the Industrial School for Negro Children in Mount Meigs, Alabama, may have been a blessing in disguise. His baseball talent, coupled with big hands and feet on his long, lanky frame were recognized by the coach there, Edward Byrd, as assets that could be developed.

Byrd taught Paige to pull back, and then kick his foot high in the air and as he came down, bring his arm from way behind and thrust his hand forward as he released the ball. This gave the ball maximum power as it hurtled forward. Satchel later said, “You might say I traded five years of freedom to learn how to pitch.”

He played for teams all over the country, from California to Maryland to North Dakota and even outside the country—in Cuba, the Dominican Republic, Puerto Rico and Mexico. In between contracts, he had quite a following through barnstorming tours, sort of orchestrated pick-up exhibition games that included a wide array of talent. In one such game, against white ball players he pitched to Joe DiMaggio, who called him “the best and fastest pitcher I’ve ever faced.”

Because Negro League records were sketchy Paige insisted that he kept his own records. Reportedly, pitching in more than 2,500 games and winning more than 2,000, played for 250 teams and thrown 250 shutouts – staggering statistics. Paige was prone to some flamboyance, but experts believe much of it can be borne out. In July 1948, on his 42nd birthday, after 22 years in the Negro leagues, Paige became the oldest man ever to debut in the major leagues.

He even pitched part of an inning when they went to the World Series that year with the Cleveland Indians. Paige was the first Negro pitcher in the American League and the seventh Negro big leaguer overall. Paige pitched for two other major league teams, the St. Louis Browns and the Kansas City Athletics, with whom he ended his career on September 25, 1965, at the age of 59. Although all during that time, he continued exhibition games and even did a baseball “skit” with the legendary basketball team, the Harlem Globetrotters.

Paige died of a heart attack in Kansas City, Missouri, on June 8, 1982—less than a month before his 75th birthday.

Paige was famous for his hard fastballs, and he also developed his signature “hesitation” pitch, but he could do anything with the ball that he wanted. He held a number of firsts, most notably the first black pitcher to be inducted into the Baseball Hall of Fame in 1971, which he was fortunate to be able to see. He was also the oldest rookie and working player in the game.

I find it interesting that Paige rarely addressed the issue of his age, often quoting Mark Twain: “Age is a question of mind over matter. If you don’t mind, it doesn’t matter.” Maybe that’s why he was the greatest pitcher ever to play the game and lives in the heart of a kid who thought of him as his hero. And that’s my Thought Provoking Perspective…

Remembering: Fannie Lou Hamer

Fannie Lou Hamer was one of the most courageous civil rights activist who was famous for saying she was sick and tired of the condition of black people, stood up and took a stand. She used a passionate depiction of her own suffering in a racist society helped focus attention on the plight of African Americans throughout the South. While working with the Student Nonviolent Coordinating Committee (SNCC) in 1964; Hamer helped organize the 1964 Freedom Summer African American voter registration drive in her native Mississippi.

Born Fannie Lou Townsend on October 6, 1917 in Montgomery County, Mississippi the daughter of sharecroppers, Hamer began working the fields at an early age. Her family struggled financially, and often went hungry. In the summer of 1962, she made a life-changing decision to attend a protest meeting. She met civil rights activists there who were there to encourage African Americans to register to vote.

Hamer became active in helping with the voter registration efforts, which few in Mississippi were brave enough to do. Hamer dedicated her life to the fight for civil rights, working for the Student Nonviolent Coordinating Committee (SNCC) after going involved with the struggle. This organization was comprised mostly of African American students who engaged in acts of civil disobedience to fight racial segregation and injustice in the South. These acts often were met with violent responses by angry whites.

At the Democratic National Convention later that year, she was part of the Mississippi Freedom Democratic Party, an integrated group of activists who openly challenged the legality of Mississippi’s all-white, segregated delegation. For her devotion and commitment she paid a heavy price. She was beaten within an inch of her life. So brutally that it took months for her to recover but she never gave up the fight.

During the course of her activist career, Hamer was threatened, arrested, beaten, and shot at but none of these things deterred her from her work. In 1964, Hamer helped found the Mississippi Freedom Democratic Party, which was established in opposition to the state’s all-white delegation to that year’s Democratic convention. She brought the civil rights struggle in Mississippi to the attention of the entire nation during a televised session at the convention.

The next year, Hamer ran for Congress in Mississippi but was unsuccessful in her bid. Along with her political activism, Hamer worked to help the poor and families in need in her Mississippi community. She also set up organizations to increase business opportunities for minorities and to provide childcare and other family services.

Hamer died of cancer on March 14, 1977 from cancer. The encryption on her tombstone denotes her famous quote, “I am sick and tired of being sick and tired.” I’ll ask, when will this statement impact your life, whereas you will affect change. Mrs. Hamer put her life on the line for freedom. The next time you look in the mirror, ask yourself – WOULD YOU? And that’s my Thought Provoking Perspective…

Media Kit

The Great Mr. Ruffin

I’ve been blessed to have lived during a time when the music of our culture reached center-stage and changed the world. Of all of the great voices, I’ve heard during my time, I can say none has been more distinctive and profound than that of David Ruffin. I’ll gladly say, I feel blessed to have had my life enhanced by his music.

As we are about to celebrate Black History Month, I want to pay homage to this man whose music was a huge influence on my life, particularly my young life, to which I am grateful. In an interview after Temptation movie, something his son said struck me as profound. He said, “My daddy wanted love, but he got fame.” We know from the many talented artists to leave us of late that there is a line between triumph and tragedy. That line is often thin and frequently ends sadly. David Ruffin walked that line with tragic consequences.

Ruffin will always be remembered as the mightiest of all the Temptations’ lead singers. He was one of “the voices” that made the Temptations, and his legacy will live on in the depths of our souls as long as there is time. We will remember that sexy, gritty voice, those trademark glasses, and that stage charisma that sums up the one and only David Ruffin, and even that little crack in his voice was ok, well it wasn’t ok, but that was David Ruffin. To put his legacy into context; he achieved legendary status after only being with the Temptations for about four years.

His songs were like windows into his soul, exposing his greatest fears as a lover and a man. Even “happy” songs like “My Girl” brought out vulnerability in his voice. His relationship with the Temptations was a stormy one, but the marriage produced defining moments in 1960s soul, and his voice inspired just about every male vocalist – his influence is everlasting. We’ll never know how good he might have been, but we can rejoice in what he left behind.

Born Davis Eli Ruffin, on January 18, 1941, in Whynot, Mississippi. A sickly child inflicted with both rheumatic fever and asthma. His mother died in childbirth, and he was raised by his father, a Baptist Minister. He was a complex man and master vocalist with a gospel-trained voice that would gain him the affection of several generations of listeners, but Ruffin had more than a voice – he had a persona.

In the best of his music, there was a dark, terrible, tragic, and personal beauty. A good example would be in his self-penned composition “Statue of a Fool,” written when he was just 18 years old, in which he sees himself as a “man who lets love slip through his hands.”

My favorite line in that tune was “On his face, a gold tear should be placed to honor every tear he shed. And I think it would show, and everyone would know, concealed inside is a broken heart.” This was a powerful statement that spoke to the depth of his soul. However, as history would record he would share his most private pain in the Temptations’ biggest hits; “Ain’t Too Proud To Beg” and “Since I Lost My Baby”, and the chilling “I Wish It Would Rain.

All of these songs were rooted in gospel where David began, singing in The Ruffin Family and The Spiritual Trying Four with his father, his sister Rita Mae and older brothers Jimmy and Quincy. David left home at 13 following his father’s footsteps to practice the ministry but was sidetracked, singing in Memphis talent shows where he met a young Elvis Presley. He later sang with the gospel group; The Dixie Nightingales out of Memphis, Tennessee, and toured with The Womack Brothers, The Swan Silvertones, and The Staple Singers.

It was with these gospel groups that Ruffin would develop his stage personality, dropping to his knees and doing splits just like the late Jackie Wilson before him. David’s show-stopping performances within the group would be enough to get him noticed on the secular side.

Then, in 1964, when problems arose between the Temptations and group member Elbridge Bryant, David would be invited to join the group. Shortly after David’s arrival, the group would record “The Way You Do The Things You Do,” a Smokey Robinson number with Eddie Kendricks on lead. Gone for a three-week gig in Saginaw, Michigan, the group would return home to find themselves with their first hit. It is said, when David saw the chart standings, he sat down on the long chaise lounge in the Motown lobby, took off his glasses, and cried like a baby.

Ruffin would turn out be an electrifying and dynamic force and set a course for stardom with their first universal #1 hit, “My Girl,” recorded just before Christmas in 1964, a tune that would turn the group into a household word and legends. The group began turning out one hit after another, and when David took such up-tempo hits as “(I know), I’m Losing You,” to the stage, he became a magnetic field of charisma. His greatness would then shine, and his permanent mark on the pages of history was sealed.

At his home-going service, Stevie Wonder told the audience: “We’re confronted with a problem that touches everyone of us. We’re confronted with the most devastating slave owner of all times.” Minister Louis Farrakhan, head of the Nation of Islam, who spoke at his funeral told the mournful audience, “In David there is a lesson. We should not clap our hands and mourn, for he is out of trouble now. You are still in it.” It is not my intent to rewrite history or to re-tell a story that we all know. Rather to simply to remind us that he is gone – but not forgotten. And that’s my Thought Provoking Perspective…

Rest In Peace

DAVID RUFFIN GETS PERSONAL

“Just a Season”

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