Tag Archives: entertainment

Remembering The Greatest Blues Man Robert Johnson

th00At The Crossroads

It is a great joy to share the glorious past of the ghost of the greats whose shoulders. The history of black music is littered with tragic figures, and none are more tragic than Robert Johnson’s story that will live for eternity. Legend has it that he sold his soul to the devil at the crossroads for his story to live for all times.

Robert Leroy Johnson is among the most famous of all the Delta Blues musicians whose landmark recordings from 1936-37 display a remarkable combination of singing, guitar skills, and tremendous songwriting talent that have influenced generations of musicians. This amazing, ultimate star-crossed musical genius laid the early framework of rock and roll decades before that term was even imagined.

Not much is known about Johnson’s shadowy, poorly documented life and violent death at age 27, which is one of the reasons that have given rise to his legend. With that being true, the music and legacy he left behind is irrefutable and unparalleled.

He is considered by some to be the “Grandfather of Rock-and-Roll” for his vocal phrasing, original songs, and guitar style. His music has influenced a range of musicians, including Led Zeppelin, Bob Dylan, Jimi Hendrix, The Allman Brothers Band, The Rolling Stones, The White Stripes, The Black Keys, Peter Gabriel, Neil Young, and Warren Zevon. Eric Clapton called Johnson “the most important blues musician who ever lived.

Johnson was conceived in an extramarital affair and born in Hazelhurst, Miss. in 1911. Most of his biographical details have been lost to history, but what’s known is that he learned guitar in his teens, got married, and had a girl who died in childbirth. The death led Johnson to throw himself even deeper into his music. He fled to Robinsonville, Miss. where he was influenced by early blues legends Son House and Willie Brown.

By 1933, Johnson remarried and began playing the guitar professionally. He once related the tale of selling his soul to the devil at a crossroads in exchange for his talent. Johnson tells the story in his song “Crossroads Blues.” Playing for tips up and down the Delta, Johnson gained in popularity. But as he grew in fame and was known as a noted philanderer. He would also walk off in the middle of performances and not be seen or heard from for weeks at a time.

In 1936, he was put in contact with Columbia Records talent scout Ernie Oertle, who took him to San Antonio, Tex. where Johnson recorded classics including “Sweet Home Chicago,” “There’s A Hell Hound On My Trail,” and his signature “Terraplane Blues.”

Johnson began to tour nationally and became known for his unique voice and halting guitar riffs. But in 1938, as the legend goes, the devil caught up with him. While playing at a juke joint, he flirted with a woman whose husband became jealous. The man laced Johnson’s whiskey with strychnine that caused him to become violently ill playing until he collapsed. He died four days later at age 27, although conflicting stories say he survived the poisoning and died later of pneumonia.

There are at least two Mississippi gravesites that bear his name leaving questions about his passing and burial. “The reason, that it’s so powerful a story, is because it is the outline of the tragic side of the music that followed,” said music journalist Alan Light. “Some knew him as a musician, others by legend, but his shadow touches everyone who came out of that time and place.”

Black History is American History and I believe our story is the greatest story ever told. And that’s my Thought Provoking Perspective…

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Still Looking For The Great White Hope

mayweather8They are at it again! Since Heavyweight Jack Johnson who was the best boxer in the world more than a hundred years ago; they have been and still searching for the GREAT WHITE HOPE! Last night’s sparring match was no different. The fight was far from professional and how did they give a man who has never had a professional boxing match a fight for some kind of championship?

After all the hype, all the talk, and all the profanity, it simply was unrealistic to believe McGregor, the UFC champion, could beat Mayweather in their pay-per-view showdown last night at the T-Mobile Arena. So no one should have been surprised when Mayweather methodically broke down McGregor before scoring a 10th-round technical knockout. Honestly, I don’t think Mayweather broke a sweat the entire fight!

So what did we learn from this exercise? Well, it was entertaining! The best boxer on the planet and the UFC superstar brought a lot of attention to their respective sports, and those who spent $100 on pay-per-view and thousands to witness the bout in person must not have remembered that there is a sucker born every day. Surely this was not the best boxing has to offer. I guess McGregor was just happy he was still standing at the end.

Mayweather, who scored his first knockout since 2011, looked a bit rusty early on after having not fought in two years. His boxing inexperience showed, especially late in the fight when he tried to clinch. By the end, his face was a sitting target. As a boxing fan, this was a disgrace to me. However, I am glad the black guy got a 100 million dollar payday! And that’s my thought provoking perspective…


Has Religions Become A Jedi Mind Trick

1-The title may not actually describe what they, white folk, have done to us with us meaning the masses of people on the planet. Although, religion was supposed to be for the benefit of man but surely today’s religions have become the detriment of man. They have tricked us into an alternate reality where the truth is a lie. First, they created this fictitious character named Jesus, convinced us to worship and wait on him to come back and save us; when we know there is no way a blonde haired blue eyed white man could come from that part of the world let alone come back after 2000 years.

Worse yet, most of you call him father! Let me tell you that he is not your father nor is he coming back to save you. They tell you to suffer during this life so that you can go to a place where there are streets paved with gold waiting for you when you die! All of the lies are designed so the rich keep getting richer and well everybody else suffers in poverty! I hope someone will tell me what your religion has done for you other than make you feel better on Sunday and cost you money to support the church’s leader!

Let me give you the perfect example to illustrate my point. Every Christmas most of you tell your children the lie that a jolly old white man brings you gifts and he comes down your chimney. Well in most cases most of you don’t have a chimney and you buy the gifts that come into the house.  It is really simple, if you tell a lie often enough it is believed to be true.

Just think about it some of the things they teach you and you teach to your children, and those around you; it takes a special kind of stupid to think that we will ever break the chains of mental slavery.  Unless, we begin to teach the truth to your loved ones and not condition them to the lies of white supremacy! You must remember that there are more wars in the name of some religion that history can record!

The white man has caused irritable harm everywhere they have been on the planet. Their whole history is one of barbaric acts, raping, stealing and murder. This is true, even their own history tells us this, but we worship them and want to be like them. I was watching a show on the History Channel where they counted down the ten things that will destroy the world and not one of them was the evils of white folk! Base on the past history of brutally I would say white folk and their greed are the biggest threat to mankind’s existence! And that’s my thought provoking perspective…


Happy Birthday Luther Vandross

2It is with great pride and pleasure I take in resurrecting the ghost of the greats that enriched my life, and dare I say made the world a better place.  I’ve highlighted and spotlighted many enormous champions of the African American experience, along with many who, regardless of their station, changed the world and made tremendous contributions. This was to also include the monumental musical giants of our time. In fact, I would be remissed if I did not acknowledge the spirits of those artists and entertainers whose presence will live within us for eternity.

I am rarely at a loss for words, but the voice of Luther Ronzoni Vandross was so passionate and powerful that I have no words; other than to say the day Luther Vandross transitioned to the great beyond was a mighty loss. We will never hear a voice of such quality, sweetness, or grace every again. So on this day I want to put you in a mellow mood with these attached videos of the legacy Luther left for use to enjoy. Rest In Peace. And that’s my thought provoking perspective…


Happy Birthday Teddy Bear

3Music is as much a part of black history as any part of our history. Therefore, today I want to salute Black History Month by paying homage to the ghost of the greats who made a huge impact on the world and the lives of us who lived it. Today, artists have one or two hits and they are called legends. I find this laughable because, frankly, there is no body of work, in most cases, to support the label or prove worthy of attention. Black artists and icons have mastered their craft and created genres that will last forever.

NO ONE did it better than the man we affectionately call “Teddy” – Theodore Pendergrass – one of the greatest R&B singer and songwriter of our time. Teddy rose to fame as lead singer of Harold Melvin and the Blue Notes in the early 1970s prior to his hugely successful solo career at the end of the decade. In a horrible twist of fate, in 1982, Teddy was severely injured in an auto accident resulting in his being paralyzed from the chest down. After his injury, he founded the Teddy Pendergrass Alliance, a foundation that helps those with spinal cord injuries.

Teddy was not unlike most R&B singers he sang often at church and dreamed of being a pastor being ordained as a minster at the age of 10. In his early career, he sang with the Edison Mastersingers and dropped out of school in the eleventh grade to pursue the music business, recording his first song “Angel With Muddy Feet.” The recording, however, was not a commercial success.

It was the result of a chance encounter with the Blue Notes’ founder, Harold Melvin, who convinced Pendergrass to play drums in the group. Then fate stepped in and during a performance Teddy began singing along, and Melvin, impressed by his vocals, made him the lead singer. Before Pendergrass joined the group, the Blue Notes had struggled to find success. That all changed when they landed a recording deal with Philadelphia International Records in 1971, thus beginning Teddy’s successful collaboration with label founders Kenny Gamble and Leon Huff. From this point there was no turning back.

I will briefly list a few of Teddy’s most memorable hits that took him high in the stratosphere starting with his self-titled album, which went platinum on the strength of the disco hit, “I Don’t Love You Anymore.” Its follow-up single, “The Whole Town’s Laughing At Me,” became a top 20 R&B hit. It was quickly followed by Life Is a Song Worth Singing. That album was even more successful with its singles including “Only You” and “Close the Door.”

2The disco single, “Get Up, Get Down, Get Funky, Get Loose” was popular in dance clubs and after that came two more successes, Teddy and the live release, Live Coast to Coast. Hits off Teddy included “Come and Go With Me” and “Turn Off The Lights.” This was followed by the album, “TP” that included his signature song, “Love TKO” and “Is It Still Good to You.” Between 1977 and 19981, Teddy landed five consecutive platinum albums, which was a then-record setting number for a rhythm and blues artist.

Teddy’s popularity became so massive at the end of 1977 with sold-out audiences packing his shows; his manager soon noticed that a huge number of his audience consisted of women of all races. They devised a plan for his next tour to play to just female audiences, starting a trend that continues today called “women’s only concerts.”

With five platinum albums and two gold albums, Teddy was on his way to be what the media was calling him, “the black Elvis” not only in terms of his crossover popularity but also due to him buying a mansion akin to Elvis’ Graceland, located just outside of his hometown of Philadelphia. By early 1982, Pendergrass was the leading R&B male artist of his day usurping competition including closest rivals Marvin Gaye and Barry White.

2Then tragedy struck on the night of March 18, 1982, in the East Falls section of Philadelphia on Lincoln Drive near Rittenhouse Street, Teddy was involved in an automobile accident. He lost control of his Rolls-Royce Silver Spirit – the car hit a guard rail, crossed into the opposite traffic lane, and hit two trees and was trapped in the wreckage for 45 minutes; leaving him a quadriplegic, paralyzed from the chest down.

He kept recording through the 1990s in spite of being wheelchair bond and give the world his final hit in 1994, which was a hip-hop leaning “Believe in Love”. His most lasting memory for the world was “Wake Up Everybody” a tune that has been covered by a diverse range of acts from Simply Red, Patti LaBelle, Babyface, Little Brother, Kanye West, Cam’ron, Twista, Tyrese Gibson, DMX, 9th Wonder, and DJ Green Lantern.

Sadly, on January 13, 2010, the man we knew as “Teddy” left us to sing with the angels. I’ll tell you, and if you knew Teddy, the world will never be the same without his uniquely profound soulful voice. And that’s my thought provoking perspective…


Elegance and Grace Personified aka Lena Horne

1There is nothing that gives me more pride than paying homage to the remarkable trailblazers who paved the way for others to follow. None was more significant that the lady known as “the Horne”! The electrifying beauty and uncompromising performer Lena Horne shattered racial boundaries by changing the way Hollywood presented black women for six decades through a singing career, stage, television, and in films.

She is best described in her own words saying, “my identity was clear because I no longer have to be a ‘credit,’ I don’t have to be a ‘symbol’ to anybody. I don’t have to be a ‘first’ to anybody. I don’t have to be an imitation of a white woman that Hollywood sort of hoped I’d become. I’m me, and I’m like nobody else.”
In 1933, Ms. Horne was pushed into a job at the Cotton Club by her mother, who knew the Harlem nightclub’s choreographer. The segregated club attracted white clientele, who liked to watch the top black entertainers of the day, such as Duke Ellington and Cab Calloway, surrounded by what was promoted as a “tall, tan and terrific” chorus of girls.

The Horne, as she was endearing called because of her striking beauty and voice, considered one of the most beautiful women in the world, attracted the attention of Hollywood in 1942. She was the first black woman to sign a meaningful long-term contract with a major studio, a contract that said she would never have to play a maid. This single act transformed the image of the African American woman in Hollywood.

As a film historian, Donald Bogle said, “Movies are a powerful medium and always depicted African American women before Lena Horne as hefty, mammy-like maids who were ditzy and giggling… Lena Horne becomes the first one the studios begin to look at differently… Really just by being there, being composed and onscreen with her dignity intact paved the way for a new day” for black actresses.

In Hollywood, Ms. Horne received previously unheard-of star treatment for a black actor. Her reputation in Hollywood rested on a handful of classic musical films. Among the best were two all-black musicals from 1943: “Cabin in the Sky,” as a small-town temptress who pursues Eddie “Rochester” Anderson; and “Stormy Weather,” in which she played a career-obsessed singer opposite Bill “Bojangles” Robinson. She shared billing with hugely famous white entertainers such as Gene Kelly, Lucille Ball, Mickey Rooney and Red Skelton but was segregated onscreen so producers could clip out her singing when the movies ran in the South. “Mississippi wanted its movies without me,” she once told the New York.

Metro Goldwyn Mayer studios featured Ms. Horne in movies and advertisements as glamorously as white beauties including Hedy Lamarr, Rita Hayworth, and Betty Grable. James Gavin, who has written a biography of Ms. Horne, said: “Given the horrible restrictions of the time, MGM bent over backward to do everything they could. After MGM, she was an international star, and that made her later career possible, made her a superstar.” Ms. Horne appeared on television and at major concerts halls in New York, London, and Paris. She starred on Broadway twice, and her 1981 revue, “Lena Horne: The Lady and Her Music,” set the standard for the one-person musical show, reviewers said. The performance also netted her a special Tony Award and two Grammy Awards. She was formidable and the first black cabaret star for white society.

As a songstress, her repertoire consisted of sophisticated ballads of Cole Porter, George and Ira Gershwin, Frank Loesser and Billy Strayhorn. She loved the music but also said she liked surprising the white audience who expected black entertainers to sing hot jazz or blues and dance wildly. In her singing, Ms. Horne showed great range and could convincingly shift between jazz, blues, and cabaret ballads. New Yorker jazz writer Whitney Balliett praised her “sense of dynamics that allowed her to whisper and wheedle and shout.”

She told the New York Times in 1981, “I thought, ‘How can I sing about a penthouse in the sky, when with the housing restrictions the way they are, I wouldn’t be allowed to rent the place?” In the late 1940’s and 1950’s, she chose to focus on quietly defying segregation policies at upscale hotels in Miami Beach and Las Vegas where she performed. At the time, it was customary for black entertainers to stay in black neighborhoods, but Ms. Horne successfully insisted that she and her musicians be allowed to stay wherever she entertained. One Las Vegas establishment reportedly had its chambermaids burn Ms. Horne’s sheets.

In 1963, Ms. Horne appeared at the civil rights March on Washington with Harry Belafonte and Dick Gregory and was part of a group, which included authors James Baldwin and Lorraine Hansberry that met with Attorney General Robert F. Kennedy to urge a more active approach to desegregation. Ms. Horne also used her celebrity to rally front-line civil rights activists in the South and was a fundraiser for civil right groups including the NAACP and the National Council of Negro Women.

Working closely with NAACP Executive Secretary Walter White, Ms. Horne said she wanted to “try to establish a different kind of image for Negro women.” They successfully challenged the casting system that had long marginalized black performers onscreen by having them portray servants, minstrels or jungle natives.

To Ms. Horne’s surprise, her efforts to overcome servile screen parts was resented by many black actors who viewed her as a threat more than a pioneer. She said she was perceived as a danger to the system of informal “captains” in the black acting community who worked as liaisons with film producers when they needed “natives” for the latest Tarzan picture.

After the triumph of her 1981 Broadway show, she led an increasingly isolated life in her Manhattan apartment. Over my lifetime, I have seen and known giants who have illuminated the world. None shined brighter than “The Horne”. A life rich in wonder who now belong to the ages. Rest In Peace Ms. Horne as you take your rest among the ghost of the great. And that’s my thought provoking perspective…


All Hail The Queen

1The world renowned Diva Aretha Franklin is without question the most profound voice of our time. She is universally considered the Queen of Soul standing head and shoulders above all others. However, she is not only a giant of the soul music genre, but to pop and gospel music as well; more than any other performer, she epitomized soul derived from her gospel-charged roots. The Queen established an astonishing run of hits like “Respect,” “I Never Loved a Man,” “Chain of Fools,” “Baby I Love You,” “I Say a Little Prayer,” “Think,” “The House That Jack Built,” and so many more great tunes during her career that we love.

Aretha or Ree Ree, as we affectionately call her sometimes, earned the title “Lady Soul” early in her career but I think “Queen of Soul” is more appropriate, which she has worn uncontested since she recorded her first tune. As much of an international institution as she’s become, much of her work, if not all, is fitfully inspired by her gospel roots making her music a must and in some cases a necessity, for our listening pleasure.

Franklin grew up in the bosom of gospel music, one of six children, and daughter to a Baptist preacher. Moving from her birthplace of Memphis, Tenn. and finally settling with her family in Detroit. Her early years were filled with musical experiences and environments from two cities that were brimming with groundbreaking music – from gospel to soul to R & B – in the 1950s and 60s.

Franklin’s first recordings with Columbia did not receive the accolades the label thought they would receive, and it wasn’t until she began her career at Atlantic Records did she find her real place in music, eventually becoming the recipient of 18 Grammies.

Aretha’s voice has been the prize to which so many females over the last 50 years have set their eyes, striving to emulate with success her depth of feeling, her soulful cadence and the natural essence that seems to flow from within her and into her music. From girl groups to solo artists, so many women, young and old, see her more than just a role model for music, but for womanhood in general.

As a compliment to the Queen, I see her in the metaphorical sense like the guy from the movie “The Curious Case of Benjamin Button,” which was about a man who gets younger as he ages. She gets better with time! Aretha’s ongoing, lifelong career is bar-none one of the most profound and greatest of our time. Her music remains the foundation for so many to live by and love, and it has stood the test of time. All Hail the Queen. And that’s my Thought Provoking Perspective…

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Happy Birthday Smokey Robinson: A Musical Genius

16266194_1576646812351280_7451924563813283492_nThe prolific singer-songwriter William “Smokey” Robinson, Jr. is the most  prolific entertainer of our lifetime. A thousand years from now you will hear Smokey’s music. To prove my point, “My Girl” first recorded by the Temptations is timeless, and the recording sounds as fresh today as it did in 1965. Smokey is also a record producer, former record executive, and one of the founders of the music label that changed the world – Motown.

Robinson is most notable for being a songwriter, sure, but he was also the founder and front man of The Miracles, for which he also served as the group’s chief songwriter and producer. Robinson led the group from its 1955 origins as The Five Chimes until 1972 when he announced retirement from the stage to focus on his role as Motown’s vice president.

Smokey was born in Detroit and raised in the city’s North End section. At one point, he and Diana Ross were next-door neighbors, which he had known since she was eight. He later told reporters when he was a child; his uncle christened him “Smokey Joe”, which he assumed was a “cowboy name for me” until he was later told that Smokey was a pejorative term for dark-skinned blacks. He once said that he remembers his uncle saying to him, “I’m doing this so you won’t ever forget that you’re black.”

In August 1958, Robinson met songwriter Berry Gordy, who had recently stopped writing songs for Jackie Wilson after getting into a royalty dispute with Wilson’s label. Gordy took an interest in Smokey and his group to which Gordy was more impressed at the fact that Robinson was a writer than as a singer. Gordy agreed to work with them and with his help the Matadors released their first single. Following this, the group changed its name to The Miracles after Claudette Rogers replaced Emerson Rogers.

After a number of failures and difficulties with money, Smokey suggested to Gordy that he start his own label, which Gordy agreed. Following the forming of Tamla Records, later reincorporated as Motown, the Miracles became one of the first acts signed to the label. In late 1960, the group recorded their first hit single, “Shop Around”, which became Motown’s first million-selling single. Between 1960 and 1970, Smokey would produce 26 top forty hits with the Miracles.

By 1969, Robinson had voiced his opinion on wanting to retire from the road to focus on raising a family with wife Claudette and their two children, and to focus on his duties as Motown’s Vice President. However, the late success of the group’s track, “Tears of a Clown”, caused Robinson to stay with the group until 1972. Robinson’s last performance with the group was on July 1972 in Washington DC.

After a year of retirement, Smokey announced his comeback with the release of the album titled “Smokey” in 1973. The album included the Miracles tribute song, “Sweet Harmony” and the hit ballad “Baby Come Close”. That same year, former Beatle George featured the track “Pure Smokey” as a tribute to his idol. In 1974, Robinson’s second album, Pure Smokey was released but failed to produce hits.

Robinson answered his critics the following year with A Quiet Storm, released in 1975. The album launched three singles – the number-one R&B hit “Baby That’s Backatcha”, “The Agony & The Ecstasy” and “Quiet Storm”. With his nearly sixty years in the music industry, he is still one of the most respected and gifted musicians to grace the stage or play the game.

Try to imagine, what the world would be like if we had never been blessed with the legend known by the name – “Smokey” – we love you and thank you for paving the way. God Bless you and that is my Thought Provoking Perspective…

 


Remembering: Bobby Womack “The Poet”

007_1000I love to pay homage to the ghost of the greats and, in this case, this man is one of the greatest. In today’s music world, the man is one of those people called a legend. Unfortunately, most are not wise enough to know they stand on the shoulders of giants, which is really a shame when you think about it. In my view, these modern artists probably won’t be remembered in a year let alone for decades. This artist, “Robert Dwayne Womack”, affectionately known as Bobby, the poet will be remembered for all time as a legend.

Born Cleveland’s Fairfax neighborhood on March 4, 1944 and became an active recording artist in the early 1960s, when he started his career as the lead singer of his family musical group the Valentinos and as a backup   guitarist, Womack’s career spanned more than 50 years, during which he played in the styles of R&B, soul, rock and roll, doo-wop, gospel, and country. Most people don’t know that he wrote and originally recorded the Rolling Stones’ first UK No. 1 hit, “It’s All Over Now” and New Birth’s “I Can Understand It” many other songs.

According to Bobby, his father caught him playing with his guitar and was shocked by his son’s talents, as well as the talents of his other sons. Soon afterward, he bought Bobby his own guitar and formed The Womack Brothers and began touring on the gospel circuit with their parents accompanying them on organ and guitar respectively. In 1954, under the moniker Curtis Womack and the Womack Brothers, the group issued the Pennant single, “Buffalo Bill”. Bobby was only ten years old at the time.

It was the great Sam Cooke who discovered the group performing while he was still in the Soul Stirrers in 1956 and began mentoring the boys. Within four years, Cooke had formed SAR Records and signed the quintet to the label. Changing their name to the Valentinos, Cooke produced and arranged the group’s first hit single, “Looking for a love”, which was a pop version of a gospel song they had recorded titled “Couldn’t Hear Nobody Pray”. The song became an R&B hit and helped land the group an opening spot for James Brown’s tour. The Valentinos’ career was left shaky after Sam Cooke was shot and killed in a Los Angeles motel. Devastated by the news, the brothers disbanded, and SAR Records folded.

However, the sad part of Womack’s story is that shortly after the death of Sam Cooke he married his wife, and the prolific songwriter was blackballed by the music industry. During this period, he worked as a studio musician play on recording made by many top artists. After years of this work, he got a break. His work as a songwriter caught the eye of music executives after Wilson Pickett took a liking to some of the songs and insisted on recording them. Among those songs included the hits “I’m a Midnight Mover” and “I’m in Love”.

Following years of isolation, in 1968, he signed with Minit Records and recorded his first solo album, Fly Me to the Moon, where he scored his first major hit with a cover of “California Dreaming”. The door was open, and the hits started coming. During this period, nearly all of the major artist either worked with or recorded his songs.

Name the artist and they were influenced by the poet: The likes of George Benson, Aretha Franklin, Stevie Wonder, Snoop Dogg, Rod Stewart, the Momma’s and Poppa’s, Wilson Pickett, Rolling Stones, Sly and the Family Stone, Rufus, The Crusaders, Patti LaBelle, Jodeci, Mos Def, Mariah Carey, Destiny’s Child, Teena Marie, Gerald Levert, Ron Isley, Prince, and the list goes on and on.

As a singer he is most notable known for the hits “Lookin For a Love”, “That’s The Way I Feel About Cha”, “Woman’s Gotta Have It”, “Harry Hippie”, “Across 110th Street” and his 1980s hit “If you Think You’re Lonely Now”. In early 2012, Womack’s career was the subject of the documentary show Unsung on TV One.

One of my favorite songs Bobby made a powerful statement “Where Do We Go From Here”. I think it is a fitting statement! The poet made and wrote songs that are timeless! Sadly for the world, Bobby Womack left this earthly realm to write songs for the heavily choir in glory. Bless you my brother and God Bless your soul – RIP! And that’s my thought provoking perspective…


Remembering Eddie Kendricks

2I am one of the Temptations biggest fans but most would agree that every woman who ever heard the sweet tenor voice of the man known simply as “Eddie” was in love with this man. He was a man with the sweetest and silkiest tenor voice of any man to sing a tune.

His persona was quiet and cool, with a voice that made women drool. The tall, lean and handsome tenor from Union Springs, Alabama was little more than eighteen when he arrived in Detroit, the town where he would eventually find fame as a member of the Motown super-group, The Temptations.

Eddie arrived in Detroit along with childhood friends Paul Williams and Kell Osborne. Together they formed a classic vocal group they called The Primes. Their tunes extended beyond the usual teenage Doo-wop tunes to include sophisticated material such as that of the Mills Brothers. So it was natural, or maybe fate, when Otis Williams first saw The Primes perform he couldn’t help but notice the vocal prowess of Kendricks, and the smooth moves of Paul Williams.

When the Primes disbanded, and all three members separated, Eddie came back to Detroit from Birmingham to visit Paul; he put in a phone call to Otis. The timing was perfect since Otis just happened to have two spots to fill in his group, The Distants. Paul and Eddie added a whole new dimension to his group’s sound, and the merging of the two groups became the Elgins. Now, they were ready to audition for Berry Gordy.

The audition went well, and the group was offered a contract right on the spot. It was 1961, but the group wouldn’t have their first hit for a few years. Meanwhile, the group worked hard on their singing, their moves, and their look. Eddie always dressed beautifully; he had a knack for being sharp and hip, but classy at the same time so his job in the group would be wardrobe, and he began putting together the group’s stage uniforms.

The group continued recording on a regular basis with either Paul or Eddie leading on all the early songs, but none of the 1962 singles did much, including the unique “Dream Come True”, and “Paradise”. Both tunes featured Eddie’s vocals, and they are appreciated today, but at the time they didn’t even make the pop chart.

In early 1964, David Ruffin joined the group, and coincidently things began to change. Smokey Robinson told the group he’d booked the studio for them to record a song he’d written with Bobby Rogers, one of the Miracles while driving on the Pennsylvania Turnpike. That night the five of them met at Eddie’s house and set out on the familiar walk over to Hitsville. The song, “The Way You Do The Things You Do”, was charming and perfect for Eddie’s voice. It was like a dream, finally; the song would peak at number 11 on the pop chart, and the group went off on their first full Motortown Review tour.

Before the year was over, the guys knew that success was not only possible, but probable, and they would get their share of good times and beautiful women, and Eddie, as it would turn out certainly had the power to attract women. Eddie was ahead of his time in picking the clothes, although the guys at first objected to some purple suits he had chosen. Otis thought the suits would make them look like pimps, but in the end they trusted his judgment and he ordered five purple suits with a white button. He was right, when the crowd saw them in those suits; they went absolutely wild.

In 1965, Smokey Robinson, who was writing mostly all of their material, turned his attention away from Eddie momentarily to hand over to David Ruffin who sung their big breakthrough hit “My Girl”. The song would hit number one and stay there for eight weeks. Over the next few years, many of the songs would be cut on David, but Eddie would not be left behind either.

In 1966, Smokey would hand Eddie the song “Get Ready”, but it didn’t do as well as the songs Norman Whitfield wrote with David in mind, such as “Ain’t Too Proud To Beg.” Norman’s song did much better on the charts, and shortly thereafter, Norman Whitfield would begin writing and producing the group almost exclusively. David would get most of the leads, but Eddie would still have his chance to shine.

The guys were tight and hung out together at one another’s houses where Melvin would cook up a pot of beans and cornbread. Eddie loved cornbread so much the guys playfully nicknamed him “cornbread”. As time passed, and David Ruffin was dismissed in 1968, Eddie changed, upset with the attitudes of some of the group members, he formed an alliance with David outside the group. In the late 1960’s, times would change and so would Norman’s material. Eddie still preferred the harmonious love songs and wanted to do some of his own material separate from the group. The group said no, and Eddie became even more dissatisfied.

It was after a performance at the Copa in 1970. Eddie walked out after the first show, and it was decided, mutually, that it was time for him to leave the Temptations, and so he did, leaving them with one of their all time biggest hits. Eddie went on to have a very respectable solo career and later toured with David and Dennis until the end of his life.

Eddie’s legacy is profound and establish him as one of the greatest Temptations. On October 16, 1999, Eddie Kendrick Memorial Park was dedicated to the Birmingham native. The memorial features a bronze sculpture of Kendricks by local artist Ron McDowell, as well as sculptures of the other Temptations, set into a granite wall. Inscribed on the granite are the names of Temptation’s hit songs. Recorded music can be heard throughout the park, featuring songs by Kendricks and the Temptations.

I will say this: Eddie left the world a lot of music that others are trying to imitate and duplicate! And that’s my thought provoking perspective…

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