Tag Archives: state of black america

The Rainbow Conspiracy

3

In the land that believes in “Manifest Destiny” while claiming freedom for all has perpetrated another scam. There has always been a con in this land of milk and honey; the problem is only a few get the honey, and the milk makes the rest sick. In today’s world, they tell us gay people have equal rights and can marry as same-sex couples but the Negro, you know the black people they stole still do not have equal rights. That is some F-ed up logic and Negroes are joyously celebrating this so-called victory!

This new scam claims that we live in a “Post-Racial” America. They would have you believe, and most black people do, that there is no more racism or sexism – we are all free. Yes, it hurts to say it but house Negroes are abundant, and there are damn fools a plenty. Also, there are still black people who are shocked whenever there is an incident of racism or a homophobic remark is made and defend the perpetrators vehemently in Jesus name!

This brings to mind a comment made by one of these so-called good Christians concerning one of my posts about Reparations. She said that I “should live in the present and stop focusing on the past because it’s not like that anymore.” She went on to call the article “more propaganda.” I thought how sad, but I can assure you this woman will be the first in line, if and when, any reparations are granted to get her share.

The mindless brainwashing of the souls of people of African descent is as old as the nation itself. A new perception of us comes forth ever so often, and as a people, we or most jump knee deep into it believing the prescription of insanity. Remember, the Constitution has not changed nor has the concept of black people being 3/5ths human and black women less. Yet, the new philosophy is that America has changed, and we now live in a post-racial society, and the bigot’s hearts remain the same. I beg your pardon – this is just another chapter add to His-Story.

With respect to the rainbow colors, the gay agenda is the new civil rights, black people they can hide the chosen way of living; you will always be black. The fact of the matter is that black people have not and will not have the liberty to be free because we chose to support any agenda that divides black people – be it Gay rights, women’s liberation – whatever. The more prudent thing to do is to make sure black lives matter – first!

People – please understand this new agenda has nothing to do with our fight. It is a diversion to take your mind away from black issues – wake-up people. This is another scam like they have always done – nothing to see here, rather list to Brother Gil tell you what happened then and continues today only with new players but the same story. Trust in the Lord and you will be ok when you’re dead. And that’s my thought provoking perspective


IMAGINE

QU601ImagineJohnLennonI can recall a song written by John Lennon, who in my opinion had a depth that few men dared to explore. He caused me to “Imagine”. When you do open your mind you can realize possibilities. A wise man once told me that faith is believing what is unseen to be true. I have always imagined that people could live in peace and the world could live as one. No pain, no sorry, no racism, and above all “study war no more”.

Imagine there’s no countries
It isn’t hard to do
Nothing to kill or die for
And no religion too
Imagine all the people living life in peace

You, you may say
I’m a dreamer, but I’m not the only one
I hope someday you’ll join us
And the world will be as one

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people sharing all the world

You, you may say
I’m a dreamer, but I’m not the only one
I hope someday you’ll join us
And the world will live as one

And that’s my message and Thought Provoking Perspective…

http://johntwills.com

FaceBook @ John T. Wills
Like my FaceBook Page
Twitter @ John T. Wills


Our Continued Existence

11

I have written thousands of articles and a few books with the intent to empower minds with the hope of enlightening the consciousness of mankind. For those who follow my words you know I firmly believe education is the single most important ingredient necessary to neutralize those forces that breed poverty and despair. It is the opposition to the system of survival that has been intent on making sure education is limited and poverty in considerable.

 It was the Englishman Francis Beacon, who is credited with being the first to record the phase “knowledge is power”. I am probably not as intelligent as he but I say “knowing what to do with that knowledge is where the power of your strength rest”.

I recently had what you might call an epiphany. I was being interviewed on a radio show for a segment called “For Women Only”. As the conversation progressed, we talked about Big Mamma, the community, the children, and African American issues. For clarity, most refer to their community as a “Hood”. What is a hood? A hood is something you “hide”. So, if “it takes a village”, we must empower the community, that have become non-existent or at least hidden, to rise from its designed despair.

After making that remark the host asked, “what happened to us and John, what can we do to make it right”. If I recall I responded with an answer, something like, it was televisions fault. While in my mind I was feeling the power of the question, which really gave me a chill thinking about the question. “What Happened?”

I will start with the first question, which is sure to be a Cosby moment for many. What happened was us? After the scam called integration, we began to believe we were accepted as equal citizens of these United States. For many African Americans, we forgot about one another partaking in the false reality of assimilation and followed white flight running from our communities. We allowed anyone to come into our community, setup shops, we stopped supporting our own businesses, and let our dollars, some say is nearly a trillion annually, go elsewhere. But the biggest problem was we STOPPED PARENTING!

The institutional aspects are systemic. The unemployment rate is double for blacks than for whites, we’ve lost more homes to foreclosure than whites and we’ve lost more wealth than whites”. To any reasonable person this is not equal! If we had listen to the great minds like Booker T. Washington and W. E. B. Dubois told us how to build our community. Marcus Garvey told us how to be self-sufficient and to take care of our own needs. Elijah Muhammad taught us how to carry ourselves with dignity and respect. Dr. King gave us faith and Brother Malcolm told us to do it by “Any Means Necessary!

With that said, I have been troubled, as I am sure many of you as well and struggled with the second question, which was what do we do. We are the most religious people on earth; we marched, prayed, and wait for Jesus to come to our rescue.  I hope you feel my passion here, as tears flow, and it hurts to say this but the problem rests with the person you look at each day in the mirror.

People we are still in slavery, mentally, slaves to our debt, and in slaved within the jails and prisons systems. Now, Ray Charles can see – through death and imprisonment we are becoming extinct! Add to that black women have forgotten and in many cases have no desire for black men as the image of her man has been destroyed. The reality is this: if there are no black men to procreate – we all die!

Maybe the answer to the second question is to be the people we were created to be and when you look in the mirror each day; ask yourself what have you done to benefit someone or the world. You have a choice to live or die, yet more important to continue the species. If not now “when”? If not “YOU”, then who! Well I’ll tell you – “us”! Why, because we are the keepers of the faith.

Therefore, we can change the world but first we must change ourselves! And that’s my Thought Provoking Perspective…

Media Kit

FaceBook  John T. Wills
Like my FaceBook Page
Twitter @ John T. Wills
 

Brownsville Series: The Black Mecca

This is another installment of the “Brownsville Series”, which is my way of resurrecting the memory of those areas designated for “Coloreds” during the era of segregation; you know across the tracks – the other side of town. But this place is fittingly proper as I will refer to it as the Black Mecca – Harlem USA or as some have referred to it as the “Capital of Black America”.

Harlem began as a European settlement established in July 1639 in what was then known as New Harlem. It was formalized in 1658, when the English took control of the colony changing the hamlets name to Harlem. At that time, it was merely a small agricultural town just outside of New York City. The name Harlem was a synonym for elegant living through a good part of the nineteenth century. For example, the estate of Alexander Hamilton was located in Harlem.

In 1893, the Harlem Monthly Magazine wrote, “it is evident to the most superficial observer that the centre of fashion, wealth, culture, and intelligence, must, in the near future, be found in the ancient and honorable village of Harlem.” Even then Harlem seemed ordained to be the center of cultural significance but it was not until the mass migration of blacks in 1904 that it began to flourish as a predominantly Black enclave. It was because of a real estate crash that caused worsening conditions for blacks throughout New York City. Prompting Philip Payton, owner of the Afro-American Realty Company, to almost single-handedly created the migration of blacks from their previous neighborhoods establishing Black Harlem or Uptown as it came to be known.

Then black churches began to move uptown. St. Philip’s Episcopal Church, for one, purchased a block of buildings on West 135th Street to rent to members of its congregation. Black Harlem has always been a religious community with over 400 churches of every faith becoming very influential because of their large congregations and wealth as a result of its extensive real estate holdings. However, many as do today, operated what is known as storefronts from an empty stores, building’s basements or converted brownstone townhouses.

At the same time, blacks were migrating to northern industrial cities fueled by their desire to leave behind the Jim Crow South seeking better jobs and education for their children. Jobs were abundant, and many blacks were able to obtain work because expanding industries recruited black laborers to fill new jobs as a result of the war effort. Another reason was to escape the culture of lynching and violence.

By 1920,, in a mere twenty years, Harlem became the center of a flowering black culture that became known as the Harlem Renaissance. This period witnessed the greatest collection of artistic production creating the sound and entertainment of the “Roaring Twenties”, but blacks were sometimes excluded from viewing what their peers were creating. Some jazz venues, including the famed Cotton Club, where Duke Ellington played, or Connie’s Inn were restricted to whites only, although some uptown clubs were integrated.

The most famous venue in Harlem and world renowned was the Apollo Theater that opened on 125th Street on January 26, 1934 in what was a burlesque house. Best known for its “Amateur Night at the Apollo” that continues to this very day. The Apollo was a proving ground, of sorts; if you could make it there you could make it anywhere. Every black performer or artist was ordained by its audience in one way or another. I don’t have enough space to list all of the greats that graced the Apollo stage. If they were successful, they played the Apollo Theater. Another famous spot was the Savoy Ballroom, on Lenox Avenue, was a renowned venue for swing dancing immortalized in a popular song of the era “Stompin’ at the Savoy”.

During the 1920’s and 1930’s, between Lenox and Seventh Avenues in central Harlem had over 125 entertainment places operating. Such as speakeasies, cellars, lounges, cafes, taverns, supper clubs, rib joints, theaters, dance halls, and bars and grills. Throughout the twentieth century, particularly during the “Harlem Renaissance”, Harlem served as the home and key inspiration to generations of novelists, poets, musicians, and actors. It was because of the city’s pace, the blend of their backgrounds, the difficulties associated with living in Harlem and their experiences that found expression in theater, fiction, and music, among other art forms.

Some of the luminaries produced by Harlem were Paul Robeson, Claude McKay, and Langston Hughes just to name a few. Though Harlem musicians and writers are particularly well remembered, the community has also hosted numerous actors and theater companies, including the New Heritage Repertory Theater, National Black Theater, Lafayette Players, Harlem Suitcase Theater, The Negro Playwrights, American Negro Theater, and the Rose McClendon Players. Arthur Mitchell, a former dancer with the New York City Ballet, established Dance Theatre of Harlem as a school and company for classical ballet and theater training in the late 1960’s.

Harlem is also home to notable contemporary artists such as the Harlem Boys Choir, a famous touring choir and education program for young boys, most of whom are black. There is also a Girls’ Choir of Harlem and both companies have toured both nationally and internationally. Harlem is also credited with the creation of Hip-Hop and many hip-hop dances associated with this genre. It is also known for producing Rappers such as Kurtis Blow and Hip Hop Mogul P. Diddy.

After the romantic era of the Harlem Renaissance, Harlem ceased to be home to the majority of NYC’s blacks and the character of the community changed in the years after the war, as middle-class blacks left for the outer boroughs and suburbs. With the increase in a poor population, it was also a time when the neighborhood began to deteriorate, and some of the storied traditions of the Harlem Renaissance were driven by poverty, crime, or other social ills. However, as of the writing Harlem is being resurrected, and its future is brighter. And that’s my thought provoking perspective…

http://johntwills.com


An Unsung Voice Of Our Times

John Henrik Clarke was the most brilliant, profound, and empowering educators of our time. Dr. Clarke was a voracious reader, inspired by Richard Wright’s Black Boy. He has credited, Ms. Harris, his third grade teacher who convinced him that one-day he would be a writer. I found a little know fact about Dr. Clarke; as a youngster Clark caddied for Dwight Eisenhower and Omar Bradley “long before they became Generals or President,” Clarke would later recount in describing his upbringing in rural Alabama.

He moved to Harlem and committed himself to a lifelong pursuit of factual knowledge about the history of his people and creative application of that knowledge. Over the years, Clarke became both a major historian and a man of letters. His literary accomplishments including over two hundred short stories written with “The Boy Who Painted Christ Black” is his best known.

Dr. Clarke edited numerous literary and historical anthologies including American Negro Short Stories (1966), an anthology which included nineteenth century writing from writers such as Paul Laurence Dunbar and Charles Waddell Chestnut, and continued up through the early sixties with writers such as LeRoi Jones (Amiri Baraka) and William Melvin Kelley. This is one of the classic collections of Black fiction.

Reflective of his commitment to his adopted home, Clarke also edited Harlem, A Community in Transition and Harlem, U.S.A. Never one to shy away from the difficult or the controversial, Clarke edited anthologies on Malcolm X and a major collection of essays decrying William Styron’s “portrait” of Nat Turner as a conflicted individual who had a love/hate platonic and sexually-fantasized relationship with Whites. In both cases, Clarke’s work was in defense of the dignity and pride of his beloved Black community rather than an attack on Whites.

What is significant is that Clarke did the necessary and tedious organizing work to bring these volumes into existence. Thereby offer an alternative outlook from the dominant mainstream views on Malcolm X and Nat Turner, both of whom were often characterized as militant hate mongers. What I found to be interesting was that Clarke’s work was never simply focused on investigating history as the past, he also was proactively involved with history in the making.

As a historian Clarke also edited a book on Marcus Garvey and edited Africa, Lost and Found (with Richard Moore and Keith Baird) and African People at the Crossroads, two seminal historical works widely used in History and African American Studies disciplines on college and university campuses. Through the United Nations he published monographs on Paul Robeson and W.E.B. DuBois. As an activist-historian he produced the monograph Christopher Columbus and the African Holocaust. His most recently published book was Who Betrayed the African Revolution?

In the form of edited books, monographs, major essays and book introductions, John Henrik Clarke produced well over forty major historical and literary documents. Rarely, if ever, has one man delivered so much quality and inspiring literature. Moreover, John Henrik Clarke was also an inquisitive student who became a master teacher.

During his early years in Harlem, Clarke made the most of the rare opportunities to be mentored by many of the great 20th century Black historians and bibliophile. Clarke studied under and learned from men such as Arthur Schomburg, William Leo Hansberry, John G. Jackson, Paul Robeson, Willis Huggins and Charles Seiffert, all of whom, sometimes quietly behind the scenes and other times publicly in the national and international spotlight, were significant movers and shakers, theoreticians and shapers of Black intellectual and social life in the 20th century.

John Henrik Clarke is in many ways exemplary of the American ethos of a self-made man. Indicative of this characteristic is the fact that Clarke changed his given name of John Henry Clark to reflect his aspirations. In an obituary he penned for himself shortly before his death, John Henrik Clarke noted “little black Alabama boys were not fully licensed to imagine themselves as conduits of social and political change. …they called me ‘bubba’ and because I had the mind to do so, I decided to add the ‘e’ to the family name ‘Clark’ and change the spelling of ‘Henry’ to ‘Henrik,’ after the Scandinavian rebel playwright, Henrik Ibsen.”

Body and soul, John Henrik Clarke was a true champion of Black people. He bequeathed us a magnificent legacy of accomplishment and inspiration borne out of the earnest commitment of one irrepressible young man to make a difference in the daily and historical lives of his people. And that’s my thought provoking perspective…

Viva, John Henrik Clarke!
Resource: Black College Online

Media Kit
FaceBook  John T. Wills
Like my FaceBook Page
Twitter @ John T. Wills

The One And Only

lenaLena Horne, the electrifying beauty and uncompromising performer, shattered racial boundaries by changing the way Hollywood presented black women for six-decades through a singing career on stage, television and in films.

She is best described in her own words saying “my identity was clear because I no longer have to be a ‘credit,’ I don’t have to be a ‘symbol’ to anybody. I don’t have to be a ‘first’ to anybody. I don’t have to be an imitation of a white woman that Hollywood sort of hoped I’d become. I’m me, and I’m like nobody else.”

Lena Mary Calhoun Horne was born June 30, 1917, in Brooklyn, N.Y. Her father was a civil servant and gambler who largely abandoned the family. Her mother, an actress, was largely absent from Ms. Horne’s early life because of work on the black theater circuit. Shifted at first among friends and relatives, Ms. Horne was raised mostly by her maternal grandmother, a stern social worker and suffragette in Bedford-Stuyvesant; then a middle-class Brooklyn neighborhood. Ms. Horne said she was influenced by her grandmother’s “polite ferocity.”

She was the first black woman to sign a meaningful long-term contract with a major studio, a contract that said she would never have to play a maid. This single act transformed the image of the African American woman in Hollywood. As film historian Donald Bogle said, “Movies are a powerful medium and always depicted African American women before Lena Horne as hefty, mammy-like maids who were ditzy and giggling… Lena Horne becomes the first one the studios begin to look at differently… Really just by being there, being composed and onscreen with her dignity intact paved the way for a new day” for black actresses.

Her reputation in Hollywood rested on a handful of classic musical films. Among the best were two all-black musicals from 1943: “Cabin in the Sky,” as a small-town temptress who pursues Eddie “Rochester” Anderson; and “Stormy Weather,” in which she played a career-obsessed singer opposite Bill “Bojangles” Robinson. She shared billing with hugely famous white entertainers such as Gene Kelly, Lucille Ball, Mickey Rooney and Red Skelton but was segregated onscreen so producers could clip out her singing when the movies ran in the South.

Metro Goldwyn Mayer studios featured Ms. Horne in movies and advertisements as glamorously as white beauties including Hedy Lamarr, Rita Hayworth and Betty Grable. James Gavin, who has written a biography of Ms. Horne, said: “Given the horrible restrictions of the time, MGM bent over backward to do everything they could. After MGM, she was an international star, and that made her later career possible, made her a superstar.”

Ms. Horne appeared on television and at major concerts halls in New York, London and Paris. She starred on Broadway twice, and her 1981 revue, “Lena Horne: The Lady and Her Music,” set the standard for the one-person musical show, reviewers said. The performance also netted her a special Tony Award and two Grammy Awards. She was formidable and the first black cabaret star for white society.

As a songstress her repertoire consisted of sophisticated ballads of Cole Porter, George and Ira Gershwin, Frank Loesser and Billy Strayhorn. She loved the music but also said she liked surprising the white audience who expected black entertainers to sing hot jazz or blues and dance wildly. In her singing, Ms. Horne showed great range and could convincingly shift between jazz, blues and cabaret ballads. New Yorker jazz writer Whitney Balliett praised her “sense of dynamics that allowed her to whisper and wheedle and shout.”

In 1963, Ms. Horne appeared at the civil rights March on Washington with Harry Belafonte and Dick Gregory and was part of a group, which included authors James Baldwin and Lorraine Hansberry that met with Attorney General Robert F. Kennedy to urge a more active approach to desegregation.

Ms. Horne also used her celebrity to rally front-line civil rights activists in the South and was a fundraiser for civil right groups including the NAACP and the National Council of Negro Women. After the triumph of her 1981 Broadway show, she led an increasingly isolated life in her Manhattan apartment.

Over my lifetime I have seen and known giants who have illuminated the world. No star has shined brighter than “The Horne”. Ms. Horne as you take your rest among the ghost of the greats now belong to the ages. And that’s my Thought Provoking Perspective…

http://johntwills.com


Racism Is Alive

racimHave you asked yourself “What is Racism?” Webster says it is a belief that race is the primary determinant of human traits and capacities, and racial differences that produce an inherent superiority of a particular race. This does not adequately explain or represent the reality of what we’re witnessing in today’s political and social environments. I believe racism is a misunderstood psychology, and yes there is a psychology to racism, which causes the confusion in the minds of many.

Today we see that racial prejudice or discrimination, which is a prejudicial outlook, action, or treatment is somehow believed to be directed toward people of the dominate race that they’re calling reverse discrimination. Yet, those same people enjoy the wealth built on the backs of those who were truly discriminated against as a result of racism. Case in point, every so many years the Voting Rights Act must be reauthorized so African Americans can have the right to vote. Shouldn’t it be permanent as the founding documents claim that “All men are created equal”!

The legacy of dependency, apathy, and entrenchment of the American social order from the beginning provides clear evidence of its diabolical intent to bankrupt the souls of African Americans based on an ideology of supremacy. We are the descendents of stolen souls who bear the burden of a system that perpetrated, in the name of God, the greatest crime known to man. Hence, from the beginning, people of African descent were intended to be a nation of people living within a nation without a nationality.

~ “Law and Order” music plays ~

I read an article, “When Racists Speak Their Unspoken Truths” by Anthony Asadullah Samad, Ph.D., who made a statement that speaks loudly to this issue. “It’s what racists claimed for 235 years that American society is about rights (mainly theirs, everybody else’s can be stepped on) and not about race. It’s why racists wore hoods and sheets in public, and why their powerful societies that controlled political and economic affairs were always secret. The less you know about what they think, the less you can respond to how they think, even though the social, political and economic outcomes will tell you what they think.” It seems that those who claim racism, or not, are active participants in the continuance of this ideology and (in their minds) think they are now subjected to it.

I think we should understand the sub-text of what we are seeing today, at least from a power and political perspective. Let look at, for example, the strategic effort to marginalize a black President, which is consistent with the Republican Party’s objective of marginalizing the Democratic Party because of its large minority support. Now just like back in the days of segregation, its staunchest supporters were Southerners, Mid-Westerners and poor whites, and those people of that mindset didn’t vote for President Obama anyway. They are probably in a state of shock because much of the country overcame their racial insensibilities to elect a black President in the first place. We see how far and deep racism is within certain elements of society as a result.

African American’s, and other minorities, must understand that many blacks still bear the scars of a despicable history and the untreated wounds of our forefather’s bondage. As you have traveled with me though my chronicles, my purpose is to simply offer explanations causing people to look at and understand the root cause of the asymptomatic behaviors, and that this is the result of conditioning by a system that never viewed us as equal.

This intolerance or behavior was never unlearned and have been passed down from generation to generation. Over my relatively short lifetime, I have been referred to as Colored, Negro, Afro-American, Black, African American, and worst. All were polite terms assigned to make known that people who of color were not American citizens. Remember the statement in the country’s blueprint that says clearly “3/5 a man” and did not mention women at all.

The concept of African Americans being slaves, physically or mentally, is as old as the nation itself, designed to deprive a people of its culture and knowledge through sustained policies of control. To include the age old practice, that has been very effective, “divide and conquer” because this form of thinking has one purpose; the system is designed to protect the system. Therefore, when you look at the facts of what we have experienced and what they imply relating to this new phenomenon is as far apart as the vastness of the universe.

As tenacious beings, we must understand that there is no such thing as an inferior mind unless you listen to the untruth. To overcome these indignities we must realize that education is the single most important ingredient necessary to neutralize the forces that breed poverty and despair. So I say it’s time for an awakening, if for no other reason than to honor those who sacrificed so much in order that we could live life in abundance. And that’s my Thought Provoking Perspective…

http://johntwills.com


%d bloggers like this: