Category Archives: blues

Happy Birthday Luther Vandross

2It is with great pride and pleasure I take in resurrecting the ghost of the greats that enriched my life, and dare I say made the world a better place.  I’ve highlighted and spotlighted many enormous champions of the African American experience, along with many who, regardless of their station, changed the world and made tremendous contributions. This was to also include the monumental musical giants of our time. In fact, I would be remissed if I did not acknowledge the spirits of those artists and entertainers whose presence will live within us for eternity.

I am rarely at a loss for words, but the voice of Luther Ronzoni Vandross was so passionate and powerful that I have no words; other than to say the day Luther Vandross transitioned to the great beyond was a mighty loss. We will never hear a voice of such quality, sweetness, or grace every again. So on this day I want to put you in a mellow mood with these attached videos of the legacy Luther left for use to enjoy. Rest In Peace. And that’s my thought provoking perspective…


Remebering: Donny Hathaway

1xI am one who believes anyone can be taught how to do anything, but few are naturally given the rare gift of a unique and special talent like the great Donny Hathaway. This great musician man was one of a kind, in fact, Donny Edward Hathaway was the best natural jazz, blues, soul, R&B, and gospel vocalist and musician the world has known. Also, his collaborations with Roberta Flack are legendary as the scored high on the charts. The huge hit “where is the Love” won him a Grammy Award.

At the height of his career, Hathaway was diagnosed with a mental disorder and was known not to take his prescribed medication regularly enough to properly control his symptoms. On January 13, 1979, Hathaway’s body was found outside the luxury hotel Essex House in New York City that was ruled a suicide.

Donny Hathaway worked as songwriter, session musician and producer. Working first at Chicago’s Twinight Records, he later did the arrangements for hits by The Unifics on the song “Court of Love” and “The Beginning Of My End”. He also took part in projects by The Staple Singers, Jerry Butler, Aretha Franklin, The Impressions and Curtis Mayfield. He became a “house producer” for Mayfield’s label, Curtom Records recording there as a member of The Mayfield Singers. Donny recorded his first single under his own name in 1969 on a duet with singer June Conquest called “I Thank You Baby”.

It was not until he signed with Atco Records after being spotted for the label by producer/musician King Curtis at a trade convention that his prominence became evident. He released his first groundbreaking single The Ghetto, Pt. 1″, which he co-wrote with former Howard roommate Leroy Hutson, who became a performer, writer, and producer with Curtom. The track appeared the following year on his critically acclaimed debut LP, “Everything is Everything”, which he co-produced with Ric Powell while also arranging all the cuts.

Donny’s star really shined when he released his second LP titled “Donny Hathaway” that consisted mostly of covers of contemporary pop, soul, and gospel songs. His third album “Roberta Flack & Donny Hathaway was an album of duets with former Howard University classmate and label mate Roberta Flack that established him, especially on the pop charts. The album was both a critical and commercial success that included the Ralph MacDonald track “Where is the Love”, which proved to be not only an R&B success but also scored Top Five on the pop Hot 100.

In my view, his most influential recording is his 1972 album – “Live”, which has been termed “one of the best live albums ever recorded” by Daryl Easlea of the BBC. However, the song that cemented Donny’s legacy was “This Christmas”. To this very day, it does not seem like Christmas until you hear this song. The song, released in 1970, has become a holiday staple and is often used in movies, television, and advertising. “This Christmas” has been covered by numerous artists across diverse musical genres, including The Whispers, Dianna Ross, , Aretha Franklin, The Temptations, The Four Tops, Stevie Wonder, Christina Aguilera, Chicago, Harry Connick, Jr., Dru Hill, NSYNC, Gloria Estefan, Boney James, The Cheetah Girls, Chris Brown, and Patti LaBelle.

On January 13, 1979, Brother Donny transitioned this life to be with the ancestors! I want to bring his name into remembrance as he continues to rest in our hearts. Therefore, I would be remissed if I did not pay homage to the musical mastery of Mr. Donny Hathaway for his spirit lives in the souls of all of us because his music uplifted, empowered, and made us proud! And that’s my thought provoking perspective…


Fight The Power!

PhotoFunia-2c3d3a4In the 1960s, the main mission was to obtain the freedom for black people. The symbol of solidarity was a raised clenched fist and the chant was “power to the people”. This sign of unity was also a sign of respect for one another.

It was a glorious time for Black America in the late 1960s because for a brief moment, it was awakened, they stand a stand and showed bravery as courageous black men and women demonstrate their pride for being black and began to acknowledge the greatness in their blackness.

During those days, there was an ill-fated war where the government drafted millions of black men during the Vietnam War. I can recall those fought and served were soon forgotten, but those who did were proud enough to take a stand by chanting “fight the power”! The response from the power, however, was told “America Love it or Leave it.” First, where were black people suppose to go? They took us from our place of origin, enslaved all brought here, and created a new race of people calling them Negro. So, the chant and the raised fist was a symbolic statement – “say it loud I am black, and I am proud”.

Looking back, I think what we learned was that the philosophy prescribed to us by the system and a continuous stream of unanswered questions and lies; like we see today with several wars, police brutality and blatant racism. The foundation of the civil rights movement was supported by a religious ideology full of unquestioned answers fooling people into the idea that all you need to do is just pray. While the system used the tried and true strategy of divide and conquer to kill the movement.

The movement’s protest strategy of marching in the 1950s resulted in a few crumbs after unrest and rage produce fear in the majority community – in other words among the powers that be. In those days, “they” could control information via what were virtually state-owned newspapers and the two or three television networks. The unrest of those days were rooted in racism, as is today, but today the genie is out of the bottle because of this thing called social media and video cameras in the hands of almost everyone. Think about it – it was social media that caused the Arab Spring uprising that toppled several regimes and dictators.

The American super-power was involved preaching morality and trying to impose democracy all over the world while doing unspeakable horrors at home and abroad. The government released a Senate Terror Report, which clearly appeared as if it was America that was the terrorist sponsored by the state. I will say as a person of color and a descendant of slaves, America never had any moral authority to advise or dictate anything close to a moral or human high-ground toward or for black people. Regarding what they released, black people have seen much of the same terror inflicted upon them right here at home under its apartheid-like system.

They system has not changed; NO – it’s still all about money. What I see that is different, however, is that the entire world sees and knows what is being done to black people in America and that what black America has been saying all along is true and a fact. However, the movement of this generation, Black Live Matters is speaking truth to power and is courageous enough to take a stand against racism and injustice. This movement comes with people of all stripes, colors, and creeds protesting around the world.

What we saw in the 1960s was more of a rehearsal for what some called a revolution. Brother Gil Scott-Heron called it “Winter in America” and he told us that the revolution will not be televised. There was a revolution, however, they called it the Arab Spring and it was televised! Gill appeared, at the time to be on to something. Hence, the government used tools like CONINTELPRO to cripple and killed any such notion. Now, as we can see today resulting from the atrocities of government agencies and police human-rights violations “the revolution is being televised”.

Let me add this about empires and religion, the Republicans, as did the Romans before them, cheered on the Lions, as the Christians were being fed to them in giant arenas for pure spectator enjoyment. Sort of like those lynching of black men and police killing of late. What these people are doing to black people in the streets of America in the name of “justice” is no different from what was done by the Roman state against its people. Remember how that turned out.

To those who have and are charged with killing and brutalizing people of color and the least of thee; I say to you – there’s no honorable way to kill, no gentle way to destroy. There is nothing good about racism or the war upon black and brown communities – it is simply Hypocrisy!

History tells us that those who make peaceful revolution impossible or fail to change a system when it is broken will make violent revolution inevitable. In the 1960s, they stopped using lynching and used fire hoses and dogs. Today, they use the police to shoot and kill. So I say, Fight the Power! And that’s my thought provoking perspective…

 RESPECT TO THE FALLEN

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Remembering The Ghost Of The Greats

1-I woke up this morning to the sweet sounds of soul blasting from my radio that inspired and lifted my spirits immensely. Having been awakened to a new day in such a profound way. I decided to offer my remembrance to the amazing crooners, songstress’, prolific singer-songwriters and record producers who’ve transitioned to that wonderful place all of us wish to go. Their amazing talent must make-up the most amazing heavenly choir.

We know black music has influenced every sound or beat they every made and of course, as they have in much of world history they stole what was rightfully ours. So let’s take a moment and pay homage to the innovators and creators of such amazing music. I have said many things I cannot imagine a world without Motown or that of the great black music legends!

As I began to wondering what it must be like as the ghosts of the greats walk around heaven or wherever we go in the afterlife gathering for a concert to sing that music the meant so much to us in this life. The harmony must be simply amazing. When these great artists were alive and with us; black music – soul music – was awesome. Thankfully, they left us their gifts of sound for us to forever enjoy.

I’ll just name a few choir member that are walking around heaven all day: Whitney Houston, David Ruffin, Eddie Kendricks, Ali-Ollie Woodson, Marvin Gaye, Billy Preston, James Brown, Etta James, Donny Hathaway, Isaac Hayes, Nic Ashford, Sam Cooke, Otis Redding, Tammie Terrell, Teena Marie, Levi Stubbs, Barry White, Grover Washington, Johnny Taylor, Bob Marley, Gerald Levert, Ray Charles, Maurice White, and Michael Jackson. Although it’s impossible to name them all – BUT WE MISS AND LOVE YOU!

Times were much difficult for black people because of your work. You added hope to our struggle and your souls brought out such creative music albeit from the secular world and the church – we were overjoyed. Today’s black artists do not know what it is to be innovative or create their own music, and if they do, they do not have what I know as soul, you hardly feel anything. The new generation started producing their music, often times, in such negative a way that it affects the black community in what I view as negative ways. Is it because they did not learn from the great artist that came before them or know what it means to be creative.

What I see and hear, for the most part, black music could be at the point of no return. Furthermore, the artists who are now deceased singing in that glorious choir in this place called heaven were originals who never imitated to gain fame. These days, you have a lot of imitators, and this is one of the main reasons why we have few black artists today that touch our souls.

Moreover or sadly is that the new generation of artists, for the most part, seem to have no knowledge of what soul music means spiritually or simply understand how to be original. So to the ghosts of the greats – Rest In Peace – you will be remembered for all times. And that’s my Thought Provoking Perspective…


PIONEERING AND LEGENDARY: Chuck Berry R.I.P.

1xSinger/Songwriter/Guitarist/Legend Charles Edward Anderson “Chuck” Berry born October 18, 1926, in St. Louis, Missouri transitioned this life at his home in St. Louis to be with the ancestors on March 18, 2017. They told us this person or that person created Rock & Roll, namely folks like Elvis, but we know like everything in America was stolen from black people. So it is well-known that the great Mr. Berry was the creator and the beginning of what is called Rock & Roll. That’s it and that’s all! Thank you sir for all that you gave the world – R.I.P. And that’s my thought provoking perspective…


The History Of Brown v Board

1-The racial history of America is sad and shameful, yet they continue to tell us how special and unique America is by repeating the same lie – “All men are created equal”. Most of America’s history, a black person had virtually no rights at all. However, the most egregious of them all was that a person of color could be killed for simply learning how to read or caught reading a book. The day of this ruling was one of the most important days in all of black history, except of course the slave’s emancipation!

It has been said that the South will rise again. As I look at America, it is rising with the help of the conservatives and other bigots. In fact, I say racism is alive and well. Back in the day, rather from the beginning of America, there was nothing more important to white folk of this ilk than restricting or denying education to black people; as it was against the law for the African to read. Jim Crow Laws enforced something they called “separate but equal” – better known as legal segregation. If you look at the numbers today, we are virtually in the same place regarding the current educational system in many places across the country as black people were back in the day. Also, they have virtually priced black people out of a college education.

It’s been over sixty years since the landmark Brown v Board of Education case successfully argued before Supreme Court of the United States that allow equality in education. This case changed the face of America in a way unlike any other decision before or since. Here’s the story of how that came to be.

The Brown Case, as it is known, was not the first such case regarding civil rights argued before the court. However, it was the most significant of what some would say was the final battle in the courts that had been fought by African American parents since 1849, which started with Roberts v. City of Boston, Massachusetts.

It is important to note that Kansas was the site of eleven such cases spanning from 1881 to 1949. With that said, I would like to take the opportunity to pay homage to the valor of a skillful attorney, Thurgood Marshall, who brilliantly won this case and more than fifty other cases before the Supreme Court – winning all of them.

The Brown case was initiated and organized by the National Association for the Advancement of Colored People (NAACP) leadership who recruited African American parents in Topeka, Kansas for a class action suit against the local school board. The Supreme Court combined five cases under the heading of Brown v. Board of Education: Delaware, Kansas, South Carolina, Virginia, and the District of Columbia. The ultimate goal sought by the NAACP was to end the practice of “separate but equal” throughout every segment of society, including public transportation, dining facilities, public schools and all forms of public accommodations. The Case was named after Oliver Brown one of 200 plaintiffs.

The Brown Supreme Court ruling determined racial segregation in public education was unconstitutional in Brown I, the first opinion. The court’s implementation mandate of “with all deliberate speed” in 1955, known as Brown II. In 1979, twenty-five years later, there was a Brown III because Topeka was not living up to the earlier Supreme Court ruling, which resulted in Topeka Public Schools building three magnet schools to comply with the court’s findings.

As had been the case since Homer Plessy, the subject in Plessy v. Ferguson in 1896, when the U.S. Supreme Court decided that a Louisiana law mandating separate but equal accommodations for blacks and whites on intrastate railroads was constitutional. This decision provided the legal foundation to justify many other actions by state and local governments to socially separate blacks and whites.

Now that I have provided some history related to the case let me add my commentary. It has been said, “As sure as things change they remain the same”. First, it took 60 years to overturn Plessy with the Brown case, and it took “with all deliberate speed” 13 years for integration to begin fully. During this period from 1954 to 1967, Governors blocked school entrances and actually closed schools rather than comply with the law of the land. I am not going to touch on the violence that caused President’s to send the US Army and National Guard troops to schools in order to protect the safety of those the ruling was intended benefit as a result of the Brown decision.

Since then and over time many scams have been devised to disenfranchise minorities and African Americans in particular – need I remind you of “No Child Left Behind”. This brings us to where we are today. Schools are more segregated than at ever, poorly funded, dilapidated facilities, and a police presence to save, oftentimes, the kids from themselves. The dropout rate averages 2 to 1. These are just a few issues and by any measure of academic standards or common sense – is a failure.

Let’s make sure we understand that public education was not created to develop minds, rather it was intended to simply teach reading, writing, and arithmetic. It was created to maintain a permanent underclass. Maybe the word “class” is the operative word in all of this – the haves have, and the have not’s will have not. So as sure as things change they remain the same.

We must remember the ghosts of so many who fought and died for the principle that “education is the single most important ingredient necessary to neutralize those forces that breed poverty and despair.” Black History is American History! And that’s my Thought Provoking Perspective…

#‎AfricanAmerican‬ ‪#‎Issues‬ ‪#‎Art‬ ‪#‎Artist‬ ‪#‎Education‬


Happy Birthday Sly Stone

1-The genius whose government name is Sylvester Stewart, creator and frontman, of Sly & The Family Stone harnessed all of the disparate musical and social trends of the late 60s. This group shook up the music world creating a wild, brilliant fusion of soul, rock, R&B, and psychedelic funk that broke boundaries down without a second thought. The band was comprised of men and women, and blacks and whites, making the band the first fully integrated group in rock’s history caused an integration shone through the music, as well as their message.

Before Stone, very few soul and R&B groups delved into political and social commentary; after him, it became a tradition in soul, funk, and hip-hop that evolved into the mainstream body of music. The Family Stone’s arrangements were ingenious, filled with unexpected group vocals, syncopated rhythms, punchy horns, and pop melodies. Their music was joyous, but as the 60s ended, so did the good times. Stone became disillusioned with the ideals he had been preaching in his music, becoming addicted to a variety of drugs in the process.

His music gradually grew slower and darker, culminating in 1971s There’s a Riot Going On, which set the pace for 70s funk with its elastic bass, slurred vocals and militant Black Power stance. Stone was able to turn out one more modern funk classic, 1973s Fresh, before slowly succumbing to his addictions, which gradually sapped him of his once prodigious talents. Nevertheless, his music continued to provide the basic template for urban soul, funk, and even hip-hop well into the ’90s.

During 1966, Sly formed the Stoners, which featured trumpeter Cynthia Robinson. Though the Stoners didn’t last long, he brought Robinson along as one of the core members of his next group, Sly & the Family Stone. Formed in early 1967, the Family Stone also featured Fred Stewart (guitar, vocals), Larry Graham (bass, vocals), Greg Errico (drums), Jerry Martini (saxophone), and Rosie Stone (piano), who all were of different racial backgrounds.

The group’s eclectic music and multiracial composition made them distinctive from the numerous flower-power bands in San Francisco, and their first single, “I Ain’t Got Nobody,” became a regional hit for the local label Loadstone. The band signed with Epic Records shortly afterward, releasing their debut album, A Whole New Thing, by the end of the year.

The record stiffed, but the follow-up, Dance to the Music, generated a Top Ten pop and R&B hit with its title track early in 1968. Life followed later in 1968, but the record failed to capitalize on its predecessor’s success. “Everyday People,” released late in 1968, turned their fortunes back around, rocketing to the top of the pop and R&B charts and setting the stage for the breakthrough success of 1969’s Stand! At this point, the group took over the sound of the music industry!

Featuring “Everyday People,” “Sing a Simple Song,” “Stand,” and “I Want to Take You Higher,” became the Family Stone’s first genuine hit album, climbing to number 13 and spending over 100 weeks on the charts. Stand! Marked the emergence of a political bent in Stone’s songwriting (“Don’t Call Me Nigger, Whitey”), as well as the development of hard-edged, improvisational funk like “Sex Machine.” The Family Stone quickly became known as one of the best live bands of the late 60s, and their performance at Woodstock was widely hailed as one of the festival’s best.

The non-LP singles “Hot Fun in the Summertime” and “Thank You (Falettinme Be Mice Elf Agin)” b/w “Everybody Is a Star” became hits, reaching number two and number one respectively in late 1969/early 1970. Both singles were included on Greatest Hits, which became a number two record upon its fall 1970 release.

While the group was at the height of its popularity, Sly was beginning to unravel behind the scenes. Developing a debilitating addiction to narcotics, Stone soon became notorious for arriving late for concerts, frequently missing the shows altogether. I personally paid to see Sly and the Family Stone on three different occasions and have yet to see him perform. However, it did not deter me from being one of their biggest fans.

Stone’s growing personal problems, as well as his dismay with the slow death of the civil rights movement and other political causes, surfaced on “There’s a Riot Goin’On”. Though the album shot to number one upon its fall 1971 release, the record — including “Family Affair,” Stone’s last number one single — was dark, hazy, and paranoid, and his audience began to shrink slightly.

During 1972, several key members of the Family Stone, including Graham and Errico, left the band; they were replaced by Rusty Allen and Andy Newmark, respectively. The relatively lighter Fresh appeared in the summer of 1973, and it went into the Top Ten on the strength of the Top Ten R&B hit “If You Want Me to Stay.” Released the following year, Small Talk was a moderate hit, reaching number 15 on the charts and going gold, but it failed to generate a big hit single. High on You, released in late 1975 and credited only to Sly Stone, confirmed that his power and popularity had faded. “I Get High on You” reached the R&B Top Ten, but the album made no lasting impact.

Sly virtually disappeared for years later to resurface destitute and homeless, but the sound he created lives on. It is said that most people get 15 minutes of fame while others become infamous for inspiring generations with a sound that changed the music world for all times. And that’s my thought provoking perspective…


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